#six pages on a fictional character

[juiceyobsessionist]

My first contribution to this fandom is this six page essay i wrote on gloxinias morality for ethics class.

More under the cut

Gloxinia of Repose is a character from the Netflix show The Seven Deadly Sins, and ultimately one of the more interesting characters within the show. Gloxinia’s morality is a warped and twisted version of consequentialism. Gloxinia serves as a minor antagonist through the series, though in the end he ends up as something akin to a ‘hero’. However, due to the nicheness of the show itself, some background information is vital to understanding Gloxinia’s complexly twisted morality.

The setting of The Seven Deadly Sins is a vaguely medieval time period, with a fantasy genre. Gloxinia is part of a gang labeled The Ten Commandments whose goal is to take over the land of Britannia. Opposing The Ten Commandments is a group called The Seven Deadly Sins.

It’s a rather simple ‘good versus evil’ fight, with The Ten Commandments generally having some twisted morality and a dislike for most of the other races.

However, Gloxinia was something of an odd character. He was not outright bloodthirsty. He was sadistic and childishly cruel, yes. He seemed to prioritize fun over actually doing his job properly, and was willing to put on a big performance rather than fighting with all his might. Most notably, Gloxinia had a particularly pessimistic view of the world and seemed to have some sort of grudge against humans. He even went so far as to call them a “Vial repugnant race”. To add to this, he also was shown to be rather lazy and self centered. The only person he was actively nice to was his friend Drole. Every other person who allied with the humans, he attempted to kill in the most fun way possible and was shown to get rather annoyed when people strayed from his little ‘game’.

Then, he did a quick switch up. He stopped being awful after he helped to kill his ex friend, Meliodas. All through the fight scene with Meliodas, Gloxinia could be seen actively feeling bad. This scene is extremely important, because it proves that Gloxinia is not sociopathic. He does have some sort of twisted morality behind him.

Then, after that, he switches and decides to help out The Seven Deadly Sins, giving Harlequin and Diane a large portion of his own power to do so. He discovers his dead sister was still alive, and ends up sacrificing himself in order to let The Sins escape from the demon Chandler, and to attempt to make up for all of his wrong doings. He ends up dying rather quickly, but he seems content with his choices, as he did die with a smile on his face.

Through all of this, he also has his friend Drole right by his side. The two even end up dying together. Drole and his sister were his favorite people, and Gloxinia was not ever shy in showing that. He would heal Drole with a very limited healing ability, and the loss of his sister incited a 3,000 year long mental breakdown. This mental breakdown is where his crueler persona developed, and it’s what caused Gloxinia to join The Ten Commandments to begin with.

Yet, despite his clear adoration for his friends, he did not extend the same kindness to Meliodas. He actively helped kill Meliodas, and while Gloxinia clearly felt bad for Meliodas that did not stop his horrible actions. So the question is: Why? Why was Gloxinia willing to pick and choose which of his friends he killed off? Why was he willing to heal Drole, and go on a warpath for his sister Gerheade, yet he could not even find it in himself to spare his other friend? They all seemed just as close from the few interactions we saw. So what on Earth made Gloxinia willing to pick and choose between his friends? Well, the answer is simple. Gloxinia is a consequentialist, and he believed killing Meliodas was for the greater good.

According to Russ Shafer, author of The Fundamentals of Ethics, fifth edition, “If you have a choice between two options and the first is less good than the second, then the first can’t possibly be right.” This is a good way to sum up the entire thought process of consequentialism. The whole moral theory is based upon doing whatever good possible (Shafer-Landau). It is about minimizing damage and picking the best option from the wreckage, even in a bad situation (Shafer-Landau).

However, consequentialism is not without its issues. It is a rather easy morality to sway if you have the wrong ideals. As put by Alvin I. Goldman, author of RELIABILISM, VERITISM, AND EPISTEMIC CONSEQUENTIALISM, “Consider Judith Thomson's (1976) example of a transplant surgeon who encounters a patient during a routine check-up and decides to chop him up, take his organs, and transplant them in five other patients, each in need of one of those organs. From a teleological point of view, this action is good, perhaps even right. Greater overall happiness will be promoted by this action than by simply attending to the original patient and letting those in need of organ transplants die (Goldman).” As Goldman puts it in this quotation, prioritizing the needs of the many is not always necessarily ethical.

Now, this relates to Gloxinia and his moralities quite easily. He felt Meliodas was a threat. Meliodas had been branded a traitor to the demon race and The Ten Commandments were supposed to kill Meliodas and free the rest of the demon race from the seal.

Gloxinia had always been the type to weigh his options carefully. To try and choose the least harmful path, or the path that did the most good, as consequentialists tend to do. It is important to note that after being betrayed by a group of humans, Gloxinia saw humans as evil at this point. This is absolutely integral to his character, and the choices he makes. He chooses to try and kill Meliodas, one of his oldest and only friends, because Meliodas sided with the humans.

To Gloxinia, killing off all of the evil humans who tried to kill his sister was a good thing. Humans were a disgusting race which he despised. It only made sense for him to try for genocide. Meliodas was an obstacle to him at that point, and Gloxinia, in the truest consequentialist fashion, chose to help kill Meliodas. Gloxinia was clearly not happy about it, indicating that this decision was not one chosen lightly. This was something that made him consider his own moralities, and ultimately choose to attempt to do something that felt less wrong to him. Which is where helping Harlequin and Diane came into play.

He ended up helping them figure out how to be more powerful, while also informing them on the events that led the demon race to be sealed to begin with, as well as the events that led him to ultimately become a Commandment.

It would be a crime to speak on all of this, and leave out the most important event of Gloxinia’s life. An event that he based his entire morality off of, and the one that led Gloxinia to being a Commandment. His sister's death.

This whole event happened because he trusted a group of humans. The humans ended up betraying him and cutting off his sister's legs, her eye, and half of her wings. One human defected from the group and tried to save Gerheade, but Gloxinia spotted the human holding what he assumed was her mangled corpse and murdered the human. Then, Gloxinia went on to continue killing humans. As many as he could find. Zeldris found him and offered to let him join The Ten Commandments.

This was the greatest showing of his consequentialist nature showing through. To Gloxinia, killing off humans was for the greater good. The action may not have been fun, but it was something that had to be done. Or the humans may go around doing the same to others. While Gloxinia certainly did have fun with it, he still was doing it willingly.

What Gloxinia experiences when he changes sides and decides to kill humans is actually referred to as moral disengagement. Which, according to Helet Botha, author of Existentialist Perspectives on the Problem and Prevention of Moral Disengagement is “ Moral disengagement was originally conceived of as a psychological process—a set of cognitive mechanisms—whereby an individual becomes capable of dissociating with their internal moral standards and thus behaving unethically without feeling distress (see also Newman et al., 2020) (Botha).” This is how Gloxinia was able to do such a quick switch from liking humans to hating them.

Some people may attempt to argue that his morality could possibly be psychological egoism. A good way to sum it up is by Di Carlo Emiliano, author of Antecedents of Deviant Behavior: Psychological and Non-Psychological Factors and Ethical Justifications, “According to the homo economicus assumption, the human being is a self-serving individual only interested in maximizing its utility function (Jensen & Meckling, 1976) (Carlo Emiliano).” In other words, humans are selfish. They put themselves first, for better or worse. And considering how Gloxinia attempts to commit genocide against humans due to his own trauma, it may certainly see that way.

There’s no denying that everything Gloxinia did was tinged with a bit of selfishness. He killed, he separated families. Broke apart entire generations all because he decided he hated something. His sister turned out to be alive after all, and he apparently just left her there. He certainly thought she was dead, but that does not change the fact that it was selfish. Not only that, but a lot of Gloxinia’s dialogue would lead you to believe that he truely and genuinely believes that all humans are selfish. And he absolutely does. Which is why he goes out and kills the humans he’s killed.

“Is it appropriate to sacrifice one person to save many?” Is the question asked by Yoshiyuki Takimoto, author of Verification of the Japanese Version of Greene’s Moral Dilemma Task’s Validity and Reliability. This question is a great example of consequentialism, and Gloxinia’s overall mortality. He is willing to sacrifice one person to save many. And in the end, he sacrificed himself to try and slow down the demon Chandler. He lost and died. It was his way of bringing good out of all of the bad he had caused. The ultimate sacrifice.

So, with all of this being said, it’s quite clear that Gloxinia of Repose from the Netflix show The Seven Deadly Sins had a consequentialist morality. He constantly weighed the pros and cons of his own actions, was deliberate in the way he approached things, and consistently did his best to try and bring true goodness. Even though it was a very flawed and scary stance to take- genocide just really isn’t the correct answer for most problems. He still took this stance with the idea that what he was doing was absolutely and entirely good. And in the end, in an attempt to make things right, he sacrificed his own life. He died for his morality, his viewpoints, and to protect the very friends he tried to kill.

Bibliography

Shafer-Landau, R. (n.d.). The Fundamentals of Ethics (5th ed.). Oxford University Press.

Goldman, A. I. (2015). RELIABILISM, VERITISM, AND EPISTEMIC CONSEQUENTIALISM. Episteme,

.10th Anniversary of Episteme, 12(2), 131-143.

https://doi.org/10.1017/epi.2015.25

Di, C. E. (2022). Antecedents of Deviant Behavior: Psychological and Non-Psychological Factors and Ethical Justifications. Employee Responsibilities and Rights Journal, 34(2), 169-191. https://doi.org/10.1007/s10672-021-09387-x

Di, C. E. (2022). Antecedents of Deviant Behavior: Psychological and Non-Psychological Factors and Ethical Justifications. Employee Responsibilities and Rights Journal, 34(2), 169-191. https://doi.org/10.1007/s10672-021-09387-x

Takimoto, Y., & Yasumura, A. (2023). Verification of the Japanese Version of Greene’s Moral Dilemma Task’s Validity and Reliability. Psych, 5(1), 224. https://doi.org/10.3390/psych5010017

[savage-kult-of-gorthaur]

SIX FAN ARTS SERIES PRESENTS -- DIVAS & FICTIONAL CHARACTERS.

NOTE: Posted all of these individually these past few months, but the Grace Jones mashup piece was damn near impossible to find, and I never did manage to locate it.

PIC INFO: Resolution at 1000x1245 -- Spotlight on the complete Six Fan Arts Series "Divas & Fictional Characters" by Russian pin-up artist Sveta Shubina, c. 2021 -- which one's your favorite?

Anyway, if I had to pick a top three, and in numerical order, they'd be: "Brigitte Spellman," "Bettie White," and "Lucille Flintstone."

Source: www.pinterest.com/pin/retro--587297607650391206.

[fuckyeahgoodomens]

Neil talking about the responses to Good Omens Season 2 - from the Neil Gaiman interview with Brian Levine for The Gould Standard (x,x)

BL: The audience that you have built is a very passionately engaged audience. They, frankly, they love you. And one of the reasons they love you is that you fit into what I think of as one of two great divisions in art. There's, or in writing, um, there is: I'm entertained, I'm amused. I may be even enchanted; and then there's this hits me at a visceral level. You understand me as no one else does. You have touched something very central to my experience. And it seems to me that Much of your writing, maybe all of your writing, actually reaches your audience at that latter level. You know. I would say in the former category, sort of my quintessential and beloved example would be P. G. Woodhouse. He amuses me, but I don't feel like he's revealed my inner self at a very deep level. Um, were you aware that you were going to be able to achieve that? Um, that this is something... was it a startling thing when people began coming up to you, who'd read your work and said, this means so much to me?

Neil: Yeah. It was huge. And it wasn't expected. I... if I had a mountaintop I was heading towards, it was gonna be P. G. Woodhouse. Um, I wanted to be a proficient entertainer with a clear prose style who could tell stories. Um, it probably wasn't until Sandman that I found... I started to realize that in order for a story to work, I had to show too much. In order for a story to resonate, in order for a story to matter, I had to let it matter too much. And, and I remember the first people who would start coming up to me and saying, um, you, you know, your, your Sandman comics got me through the death of a loved one. Your death character got me through my child's death, through my parent's death, through my partner's death, through my friend's death. Um, and that left me kind of amazed. I'm like, well, I didn't write it to do that. I wrote it to feed my children. I wrote it to satisfy myself. I wrote it because nobody else had ever written it. And if I didn't write it, it wouldn't be written, but I don't think I wrote it to give you what you've taken from it. And I spent really about 20, 25 years feeling awkward about that. And then my father died, in March 2009, and never got to cry about it. Never... I, you know, I've, I've got on a plane and I went to the UK and dealt with the funeral stuff and organized all of that stuff and came back and go toff the plane and went and did Stephen Colbert's Colbert Report and wearing the funeral suit because and that was all I had with me and carried on. And then, somewhere in the middle of summer, I was reading a friend's script. They'd sent me a script and said, can you look this over? And I'm reading it, and on page 20, the lead character meets somebody, and on page 26 maybe, she's dead, and I burst into tears. And I'm bawling. I am sobbing. It is coming out of me in giant racking waves. And I realized that it's everything that I'd been, hadn't let myself feel, or hadn't been able, hadn't stopped enough to let myself feel, was suddenly being given permission to feel by the death of a fictional person who I'd met six pages earlier, ia script. And I thought that... and it was huge for me, and I thought, okay, that's that thing that people are talking about sometimes, when they come tome and they say, you, you did this. So right now, I'm in this weird, wonderful place where I think a lot of people in Good Omens Season 2 thought they were signing up for the P.G. Woodhouse, and didn't know that, no, no, no, you've, you've signed up for the whole thing. You've signed up for the feelings. You've signed up for the emotions. I... it is my job to make you care and to make you feel and to feel things you haven't felt before. And which meant that the first week or so after Good Omens came out, I was getting angry, furious, deeply upset messages on every possible social medium telling me that I had betrayed people, and it was awful, and they couldn't stop crying, and why would I do that to them, and did I hate them? And they hated me. And then a weird sort of phenomenon happened as people would watch the show again. And again. And now they started to know, okay, this is where it's gonna go, this is what's gonna happen, this is how it works. And they started realizing that they were actually feeling things, and that was good. And that they were caring about two people who don't exist. You know, I made them up, and then and Terry Pratchett made them up, and then, um, David Tennant and Michael Sheen gave them life, and then they get to walk around on a screen and you know they don't exist, but you can cry for them, you can love them, they can make you laugh, they can make you exult, and most important of all, they can make you care. And the number of people who are now writing to me, saying, 'This was so important to me. This has changed my life. This makes me feel like I belong. This makes me feel like I can cope. And it's let me sort of find myself. P. S. I hope you get to do Season Three.' is, is huge.

[aurynsia]

Like The Movies

Sirius Black x Bookworm!Reader

——————— ⋆☆ ˚⟡˖ ࣪ ———————

Summary: You meet a mysterious man in a bookshop who falls for your sunshine personality…

Warnings: Nothing serious (pun intended), grumpy x sunshine dynamic, Marlene once again being the best wingman (it’s a tradition atp), reader is referred to as a girl with she/her pronouns, reader is oblivious to Sirius’ flirting.

Word count: 0.7K

Masterlist

A/N: I couldn’t get this meet cute idea out of my head so I had to write it! Basically all fluff and no plot, Sirius just thinks you’re adorable <3

——————— ⋆☆ ˚⟡˖ ࣪ ———————

Ding!

The bell above the bookshop’s door rang in an echoing call as you stepped inside, a giddy smile spread across your face. You had finally finished your summer reading list, with a chilled breeze marking the end of your book-buying ban.

Preparing to hibernate in your cosy bedroom with a stack of classics, you skipped your way through the aisles to the counter of the store’s joint cafe.

Ordering a hot drink to keep off the chill of the midday breeze, you flashed a grateful grin at the blonde behind the counter as you rounded the aisles, making a beeline for the classic fiction.

You stumbled through the maze of novels, making mental notes of each book you had already read. You found yourself passing three aisles before you discovered a title you didn’t recognise.

Lifting the book to flick through the pages, your gaze intuitively lifted at the presence of someone further down the aisle.

That’s when you saw him.

A dark stroke of hair dropped down his shoulders, collecting in sweet spirals at his chest. His bright eyes held a dark splash of mischief in their depths as he towered over the shelves. His gaze was focused on the book in his hand, eyes flicking over the blurb on the back cover.

Peering over with curiosity, your eyes lit up at the title on the front as he flipped the book in his hands. “That’s my favourite! I’ve read it six times,” you blurted at the mystery man.

His gaze flicked to yours in an instant, a flash of surprise gracing his features before he relaxed into a soft smirk at the sight of you. “Would you recommend it, Dove?” He spoke with a lighthearted and teasing tone as he leisurely stepped closer to your ecstatic self.

“Absolutely! It’s a masterpiece, the author is so talented! You should totally read it,” you rambled, not catching the amusement mixed with adoration in the stranger’s eyes as he watched you.

His head tilted to the side like a curious puppy, listening intently as you gushed over the plot, the characters, the handsome romantic lead, and the optimistic heroine.

He slyly reached for a second copy of the same book on the shelf as you spoke, tucking it under the one already settled in his grasp. You were in your own world at this point, and the man couldn’t help but fluster at your adorable excitement over words on a page. What is this girl doing to me? he mentally asked himself.

She’s got me wrapped around her finger and she doesn’t even know it.

He was beginning to grow soft.

——————— ⋆☆ ˚⟡˖ ࣪ ———————

You eventually remembered to introduce yourself after a series of rambled facts about the book tumbled out of your mouth. The stranger found you to be the most endearing creature he’d ever met.

“I’m-“

“Sirius? Y’Iced latte’s ready!” He hurried over to the blonde behind the counter who finished his sentence, flashing you an apologetic smile over his shoulder with a slight blush to his cheeks.

Marlene’s gaze fell on the books held tightly in his hands with an arched eyebrow. “Sirius Black, reading a book? My, I thought I’d never see the day!” He laughed while motioning for her to keep her voice down, leaning in closer while you browsed.

“It seems I’ve taken a liking to the little bookworm over there, wriggled her way right into my heart,” he motioned towards you with a smirk as Marlene spots you curiously reading the blurbs of various classics. “Said this was her favourite,” he held up the books in his hands with an uncharacteristically bashful smile, brushing the gesture off nonchalantly. “Didn’t have the heart to tell her I was buying it for Moony’s birthday.”

Marlene rolled her eyes, passing him his drink along with a napkin and a pen. “You’re hopeless, Black, really,” she whispered, turning around to pick up another order.

His eyes lit up at the sight of the pen, “You really do know me well, Marls! And to think I only keep you around for the coffee,” he quipped, though his tone held no bite. He scribbled on the napkin before Marlene passed your drink into his grasp, sending her a final look of gratitude before turning back to you.

“Here you go, love. Now, what was that sequel about again? What happens next?” You glanced up as he handed you your drink with a sweet grin, oblivious to the napkin sitting on top with a phone number scrawled across it, waiting to be discovered as you launched into an explanation with a giggle.

“Wait- no! I can’t tell you, spoilers!”

——————— ⋆☆ ˚⟡˖ ࣪ ———————

[etirabys]

meandering post about reading Orson Scott Card again

I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.

I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.

TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.

The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.

Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:

Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition

And it's pretty interesting to feel this way about Card for, well, the reasons.

(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")

I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,

(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)

it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.

(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)

which is fascinating to me, because... why would you tell on yourself like that

(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)

I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking

(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)

[sehunniepotwrites]

FOREVER SUMMER | teaser

SYNOPSIS. They say that three is the magic number, and with you having two childhood friends by your side every summer, you consider this to be true. Summers were always for no one else but you, Johnny, and Jaehyun. You want that to stay the same but of course, nothing ever does. Not when feelings come into play. You’re in love with Johnny, Jaehyun’s in love with you, and quite frankly, you don’t really know how to move forward. So much for the summer of your life. 

PAIRING. Johnny x female!reader x Jaehyun 

GENRE. Childhood Friends to Lovers!AU | Summer!AU | Beach!AU | Lifeguard!AU | Surfer!AU 

WARNINGS. Based on Jenny Han’s The Summer I Turned Pretty, Johnny and Jaehyun are cousins, profanity, alcohol consumption, food consumption, smoking (vaping and weed), nicknames (for her: Shadow, Munchkin; for Jaehyun: Dopey; for Johnny: Jojo), more warnings to come

DISCLAIMER.This is work of fiction. I do not own the people/characters and concepts I have written about. You cannot translate or copy my work. Crossposted on AO3 by sehunnypot.

“Mom, drive faster!” you yelled from the passenger seat, wondering why you didn’t volunteer to take the wheel instead. With you at the wheel, you would’ve arrived at your destination hours ago. If this was a normal day, your mother would have scolded you for raising your voice at her but this was not any given day. This was the start of your epic summer in Neiho. 

Being in the town of  Neiho for two and a half months meant living in a gorgeous beach house that was a block away from the shoreline. A large two-story structure with six bedrooms, four bathrooms, a pool to swim in, and a backyard large enough to run around in–what could be more perfect than that?

The answer to that question was found in the other inhabitants of the mansion. Your twin aunties–not your blood relatives but your mother’s best friends from university–were the co-owners of the house, passed onto them by their parents. When your mom had nowhere to go one college summer, the twins picked her right up and invited her into their summer abode, and a yearly tradition had been formed. Fall, winter, and spring breaks were for other things but summer was always reserved for the beach house on Neiho’s Cherry Lane. 

Even though the three friends who were as close as sisters started their own respective families, the tradition carried on with the expansion. And that’s where the two most important inhabitants come to play–Johnny Suh and Jaehyun Jeong. The boys, as you called them, were cousins who were like brothers to each other. And to you, they were your best childhood friends. 

Being the same age as you, you were closer to Jaehyun–the pretty boy with the dimples and the deepest, dad laugh you could ever hear. Although apart for the majority of the year, Jaehyun never failed to text you at least once a day, whether it be a meme or just a random message that could be deemed as “too much information.” You shared a lot with him and in turn, he did the same with you. To you, that lunkhead basketball man was an open book. 

His older cousin, however, was not. Unlike Jaehyun, Johnny kept some pages closed. There were times when he was inaccessible and neither you nor Jae could read him. If something were bothering him, Johnny would keep it to himself rather than burden you or Jaehyun with his problems. As the oldest, his duty was to shoulder it, shove them aside, and make sure whatever happened didn’t affect you or Jaehyun in any way possible. His pouty lips would press into a thin line, his straight brows would furrow, and his eyes would narrow until you couldn’t see the beautiful honey-brown people would die to swim in. Other times, though, he was like sunshine and his wide smile brightened your days as no one else could. 

“Sit your butt down, child, we’re almost there,” your mother laughed, playfully shoving your shoulder so your butt fell back into the cushioned seat. Her hands turned the wheel and the tires landed on Cherry Lane. She passed one, two, three houses before pulling into the driveway. Before she could put the car into park, your fingers flew to the seat belt latch, ultimately freeing your body from your chair. Never mind that you were leaving your mom to deal with your bags. 

With enthusiasm that was seen nowhere else but here in Neiho, you rushed out of the car and down the nostalgic pathway filled with memories that lingered in your mind. You spotted the garden rocks you painted how many summers before as well as the wind catchers that you created with the boys during an arts class they were so reluctant to take. Holding back a smile at all the familiarity, you shoved the keys already in your hand eagerly into the lock. A twist to the side and your hand on the knob was all it took to open the grand, wooden door. A sigh that came from way deep in your chest let itself out as the cooling air conditioner and the smell of the sea salt vanilla candles blew your way.

With one hand against the clean, white walls, you used the other to slip your shoes off. “Anyone home?” 

Home. That was what the beach house on Cherry Lane was. It was home. 

Loud, resounding pounds from the staircase alerted you that someone was there and you knew exactly who that person was before they made it down the steps and rounded the corner. Always heavy-handed in the way he handled his body, Jaehyun Jeong stomped his way to you, his gait echoing through the quiet hallways. His smile was wide as soon as you landed in his line of vision. The next thing you knew, his body was hurling your way and you had no time to escape what came next. 

“Munch! You’re here!” he yelled into your ear right before lifting and twirling you around. Jaehyun’s voice sounded deeper than the last time you saw him in person. Your surprised squeal drowned out his low-toned laughter and your feet kicked against the hard core he worked on in the last year. 

“Put her down, Jae, before you break something,” his mom, Jieun, called from the steps, a fond smile taking over her face. Her features matched the ones on Jaehyun’s goofy face sans the reddened ears and cheeks. 

Her sister and Johnny’s mom, Hyesoo, peeked out of the kitchen to add to the scolding. “Jae, if you break something, you’re gonna have to replace it with your own money, honey, so be careful!”

“Listen to them!” you whined as his hands continued to dig at your side. “You’re hurting me!” 

He adjusted his grip. “Yo, how’s the weather up there, Munchkin? Better than down here, I hope,” Jaehyun teased with a cheeky smile. 

“Shut up, Dopey!” You kicked him in the abdomen harder than the last and his stronghold loosened just enough for you to wiggle away. 

As you caught your breath from laughing too hard, you took in your best friend’s appearance. Jaehyun’s wetsuit was half on–the top half folded right at the waist–while his buffer chest was slightly covered by the heathered tank top he probably threw on in a rush. Honey brown hair unstyled and strands thrown every which way, he still looked like the same boy you remembered. Just a tad bit taller and bigger than before. And to top it all off, his dopey smile had you mirroring one too.

You bet that the girls in his major department went crazy over him. You’ve heard some of his stories through your weekly FaceTime calls–from his short-termed girlfriends and situationships and friends with benefits–but none of those ever lasted. Curiosity bit at you, wondering why they never did, but you respected Jaehyun enough not to pry. If he wanted to, he would tell you. 

“Hey there,” Jaehyun chuckled again, his large hand coming up to your chin to squish your cheeks in between his fingers.

You stuck your tongue out and blew a raspberry at him, spit landing on the back of his hand. Jaehyun gave you a look of disgust, wiping the wet spots against your shirt. You’d think at twenty-one, the pair of you would outgrow childish habits but that wasn’t necessarily the case. 

“Just say you’re happy to see me, damn.”

“Never going to willingly admit that,” you retaliated with a shit-eating grin.

Jaehyun’s hands zoomed back to your face to pull at your cheeks. His tough grip tugged them so hard that it stung a lot more than it should have. Your consecutive slaps against his chest finally got him to stop and while you rubbed your cheeks better, he stifled his laughter behind his palm. 

“You might not be happy to see me but I am always happy to see you, Munch,” Jaehyun pressed a wet kiss on your throbbing cheek in return.  You were too busy tending to your pain to realize the redness that took over the tips of his ears. His mother and aunt were not. Giggling at each other, they enjoyed the boy’s embarrassed state, loving the fact that you were the only one to get him that pink.

“You’re something else, Jae,” you shook your head at him before rushing over to your aunties to hug them. You missed them both. 

“Baby, don’t just stand there,” Aunt Jieun scolded her son, coming over to slap him against his bicep, “go use those muscles that you keep bragging about and help your auntie carry their stuff into the house.” The boy, dorky as ever, saluted his mother and ran out the door in his broken-in Rainbow sandals. 

“Where’s Johnny?” you questioned. A glance around the house and you couldn’t see him anywhere. It was unlike him to not greet you as soon as you entered the property. Your heart dropped a little at his lack of presence. 

“Oh honey, your one-track mind never changes, does it?” Aunt Hyesoo grinned at you with a knowing twinkle in her eye. You pouted at her and she simply poked you in between your curled-up brows. “John’s out surfing. We told him to wait until after you arrived but he promised he would be back before your pretty little face showed up. Knowing him, that boy probably lost track of time.”

The front door swung open and slammed against the wall only to reveal a sheepish Jaehyun. Once again, the boy underestimated his strength. If one were to look at the wall behind the door, they’d spot a dent in the wall from all the rough handling but that’s a thing everyone in the house let go of. Holding the door open, Jaehyun allowed your mom to roll her luggage in first before hauling your load in. As the three mothers reunited, Jae nudged his sharp elbow to your side. “I was about to go join Johnny for a bit, wanna come wi–”

“Yes, let’s go, let’s goooooo!” Not even letting your best friend finish his sentence, you snatched the keys to his mother’s Rav4 and headed out the door. “We’re heading out!” You called behind you before barreling out the door with your tote bag in hand.

Jaehyun trailed right behind you with his deep laughter ringing through your ears. When you didn’t toss him the keys and remained at your spot on the driver’s side, he hesitated to get in the unlocked vehicle. His lack of movement made you roll your eyes. You had gotten your license last fall at the age of twenty so driving was no problem for you. At least, it wasn’t anymore. If you went back to the previous summer with you at the wheel, Johnny at your side, and Jaehyun behind you, you would probably say otherwise. But that was then. You were twenty-one now and had almost a year of driving experience under your belt.

“Get in the car, my driving’s better now, I promise.” The engine started at the twist of your hand and Jaehyun remained outside with a hardened look on his face.

“Sure it is, Munch,” he replied with a brow raised. 

“It really is, how else would I be able to get my license?” A few bats of your lashes and a pretty pout were all it took for Jaehyun to cave in and buckle himself in the car. He could never say no to you. Johnny was a little harder to break–he was a tough cookie to crack–but in the end, little old you were always his weakness. 

A defeated sigh escaped Jaehyun’s pink lips. “You’re lucky I love you so much.” 

Jaehyun’s little profession of love made you warm inside, just like your never ending friendship. “The luckiest girl in the world.”

“And the prettiest,” Jaehyun joked, swiping at your cheek.

“Ew, is that how you flirt with all the girls back home?”

“Why? Is it working?” From the corner of your eye, you could see his brows dance. “Are you finally falling for me? It’s about damn time.” 

“Absolutely not. Disgusting.” 

“Damn, and to think, I could have finally had a chance with the prettiest girl in Neiho.”

“Oh shut up.”

The beach was a two-minute drive away. If it weren’t for Jaehyun’s surfboard mounted on top of the car, you would have been fine with the seven-minute walk or the short bike ride to your perfect little paradise. The midday crowd had made its way into the beach’s car lot, leaving a tiny compact space for you to wiggle into. Your first few tries weren’t successful, even with Jaehyun’s guidance, leaving him to laugh at your attempts before you switched places. Johnny would have never teased you like that. 

Jaehyun parked the car slowly yet successfully as you waited outside with crossed arms. He shot you a smug look, complete with his sunglasses sitting on top of his nose bridge and a smirk that lifted one plump cheek. 

“Don’t say anything,” you pointed a finger at him. “I have trouble in compact spaces.” 

“Wasn’t gonna,” Jaehyun cheekily answered as he started to take his baby blue board down the rack.

Huffing, you turned your body away from your best friend and faced the shoreline. One breath was all it took to inhale the calming scents of the ocean. The sun beamed down on you; while others hated the direct light, you didn’t mind it. Accompanied by the soft breeze making its way through your loose hair, it was a perfect beach day. Your past self was right to wear your two-piece under your clothes instead of your undergarments. 

Leaving Jaehyun behind, you stripped your loose top off, slipped off your Birkenstocks, and sunk your toes in the sand. The gritty, warm feeling surrounding your skin was something you missed dearly. Others hated the texture of sand–how it was coarse and hot, and how it got absolutely everywhere for no apparent reason–but it excited you. Feet running on autopilot, they led you straight to where the ocean met the shore. Dry sand turned wet, causing you to sink, sink, sink deep into the ground and you loved it all. When the cool rush of water hit your skin, you loved it even more. You closed your eyes and sighed, taking in the sounds of the waves hitting the rocks. 

You opened them just in time to see a tall, built surfer riding a clean wave with no breaks. He made the sport look effortless when you know that in fact, it was not. At all. When the figure reached the shore not too far from you, the man planted his surfboard right in the sand. His height was not too far off from the item itself, which was a feature many onlookers admired. 

After reaching down to catch some water in between his fingers, he ran that same hand through his thick dark brown hair, pushing his wet bangs out of his way. Your mouth began to split into two at the sight of him. Even without seeing his entire face, you knew that sharp jawline and stature anywhere. You saw it every summer, towering over you in a protective stance. The hands running through his hair used to hold yours whenever you had your scary movie marathons and the sculpted arms attached to them used to press you tightly against his chest whenever you needed comfort. 

There were so many times your thoughts drifted from the topic at hand to that face and build. Dreams. Daydreams. Little scenarios in your head that fed the monster called delusion. 

With tunnel vision for that man alone, your feet took you straight to him and your voice called out his name. “Johnny Suh!” 

Johnny’s hands immediately reached behind him as you catapulted yourself onto the broadest back you had ever seen in your life. Your arms circled his neck and your bare legs coiled around his waist as he held you in place with no complaints. Your dry body pressed against the cold, damp wetsuit but you didn’t care. You were with Johnny now. 

To you, the older of the boys wore many hats. He was your long-time friend. Your protector. Your crush. Your mom, as teasing as she gets, also referred to him as your first love. Your aunties rallied behind her with that and you always found it embarrassing. But loyal as they were, your secret never slipped past their lips. It was one for the girls, they would always say. You weren’t sure if Jaehyun caught on at some point–if he did, he never uttered a word. 

Johnny turns his neck to glance at you. His eyes took notice of the sparkle in your eye and the bright light of your smile and it brought that charming grin out to play. “Aren’t your clothes going to get wet?” he chafed, tugging on the thin fabric of your loose linen shorts. 

“Don’t care,” you replied, tilting your head to meet his gaze. His smile widened as you did so, the whiskers by his nose appearing out of nowhere. “Saying hi to you is more important than my clothes, Jojo.”

“Well then, hi.” The way Johnny said that two-letter word had your heart racing. It was soft and sweet and endearing. It was everything Johnny was. And it was beautiful. 

“Hi.”

He tapped two fingers on your thigh. “You ready to get down yet?”

“Nope.”

Johnny chuckled again and with your chest pressed tightly against his back, you felt the vibrations it caused. “Looks like my little Shadow finally came back to me.”

Shadow–that was what he called you. 

It all started when your moms noticed that you were so infatuated with the older boy that you stuck so close to him, following his every movement. When he would stand, so would you. And in turn, Jaehyun did too. When Johnny would want ice cream, you would copy him and state that you craved some too. And when he joined a volleyball camp at the country club, you tried to join too, only to be turned down because you were a girl. It upset you to no end at the young age of nine, that Jaehyun could follow the twelve-year-old Johnny but you couldn’t. To get rid of your sorrow, Johnny–although tired–played with you at home and taught you every little skill he learned that day. Your hobby only developed from there. 

“Looks like it,” you giggled. 

No matter how far you were or how much time had passed, you would forever remain as Johnny’s shadow. Just like Peter Pan’s shadow always found its way back to the leader of the Lost Boys, you would always find your way back to Johnny.

Your little moment was interrupted by the one and only Jaehyun, who has his surfboard lifted above his head. So into being within proximity to Johnny, you failed to notice the tiny drop of Jaehyun’s happy demeanor. “Dude, you done for the day or?” Jaehyun asked his older cousin, gesturing to the waves. 

Johnny turned to him with you still hanging like a koala on his back, happy that you are reunited with your two boys. “Nah, I was thinking about catching a few more before heading back. Tide’s pretty good today.” 

“Sweet,” Jaehyun grinned, his tiny little fangs peeking out as his mouth widened. He pointed his chin to the clear, blue water. “Let’s go?” 

Johnny tapped your thigh again and released your legs from his hold. “You okay with that, Shadow?” 

You nodded, patting your purse. “I got my audiobook, I’ll be fine.”

“You didn’t want to surf today?”

You tried your best to fight the warm flush taking over your body. “No, I was…too excited to see you, I guess. Didn’t want to change or grab my board.”

Johnny shot you a soft and tender smile. “You sure it wasn’t the beach calling your name? You always couldn’t wait to get down here.”

“I’m sure,” you replied, looking up at him. 

“Next time then,” Johnny reassured you. “Missed having you out there with me.”

Your heart stopped for a moment. How was he so good at that? Johnny was too good at making you feel like mush and he didn’t even know it. It was no surprise so many of the people you hung out with growing up had a crush on him. 

“Alright then, what are we waiting for?” Jaehyun shouted, raising his board high and running straight for the water. “First surf of the summer, let’s fucking goooooooo!” His loud voice faded out as he got deeper and deeper into the water. 

Johnny’s large hand quickly ruffled your hair and you swatted his grip away, grumbling as you did so. “Be right back. Don’t go anywhere. Don’t talk to anyone you don’t know either.” His overprotectiveness came into play. The warning was unnecessary, seeing how all the summer kids knew each other. It was like a big reunion every season, with parties and bonfires all around. Running into someone at the beach was far from surprising, in fact, it was expected. 

You waved him away, already busying yourself by setting up your spot a bit further from where the sand met the sea. Your AirPods were out and your phone’s camera app opened up, ready to take pictures of the beautiful scenery and your boys. “Stop worrying, I’ll be right here. Go.”

Johnny left, but not before giving you a little shove to the side of your head. You snapped multiple pictures of his back as he ran to his board with Jaehyun already riding a wave in the background. The sun was beginning to set, making the skyline the perfect backdrop for your pictures. Waiting for the next wave to hit, they sat on their boards. At one point, they shifted to wave at you, and being the person you were, you took more candids of them and sent it to the group chat with your parents. 

You slipped on your AirPods and continued onto a new chapter of the audiobook you started on your road trip here. The waves were loud enough to hear through your headset and the orange sun didn't blind you as much with Jaehyun’s sunglasses resting on your nose. This was the perfect way to spend your first day back at Neiho. 

With the amazing weather, the two best boys in the entire world, and the prettiest beach you have ever laid eyes on, this was going to be the best summer ever. It had to be. It was the summer before your last year of university. After graduation, your whole life could and would change. And you, as headstrong as you were, wanted this to be the perfect summer. 

The summer of all summers. 

The summer you would remember forever.

LIFEGUARD'S NOTICE BOARD. Hi y'all. This fic has been on the backburner for a while and I've slowly started to pick it back up again. This is only the first scene in the grande scheme of things that idk will ever be completed BUT it was too good to keep in the drafts! Tell me what you think: are you Team Johnny or Team Jaehyun?

TAGLIST. (tagging anyone who is on my gen taglist and people i talked to about this fic!) @johtenrecs @justalildumpling @bat-shark-repellant @bebsky @smileysuh @smileyerim @taelme @moonctzeny @lebrookestore @baekhyuns-lipchain @donutswithjaminthemiddle @ahcaratzen @espresseo-cafe @turtash @ravenjoongie @omlhyuck @cryingforjae

© sehunniepotwrites, 2023

[merrybloomwrites]

Niall Horan - You're My Muse

Summary: A job opportunity leads to a lifetime of happiness with Niall Horan.

Word Count: 1K

AN: I love Niall with Amelia so much that writing Niall x reader was a little awkward at first. Good reminder to myself that I'm writing characters based off of real people and it's all fiction haha

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When your manager told you that an opportunity had come up for you to record a song with Niall Horan, you just stared at her blankly for a minute.

“He’s recording music?” was your first question. You were a huge One Direction fan and had been devastated when the band went on hiatus. You'd been keeping up with any news regarding the boys and their solo careers. By that point, you had only heard Zayn’s music, and it had just been announced a couple months prior that Harry had signed a recording contract. 

But Niall? If there had been anything published about him, you’d know about it. He was your favorite band member after all. 

“It’s not public knowledge yet, but yes, he’s working on his first solo album,” Stacey replied.

Rather than start squealing in excitement, you’d taken a deep breath at the news. You quickly accepted the job, needing no further details. 

A week later you met Niall Horan for the first time. It was a surreal experience, and you remember maybe half of it, having blacked out for the other half. What you do remember is singing together, a beautiful song he’d written called “Seeing Blind”. You were shocked how much you were related to the lyrics. Weirder still was how much Niall was connected to it as well while singing with you.

You figured that he must have written it with someone else in mind and was thinking of her while singing.

Which is why you were utterly shocked when you received a call from him a couple weeks later asking if you’d go on a date with him. 

A silly and chaotic first date in Nashville led to a second, which led to a third. Now six years, a million dates, and two shared houses on two continents later, you and Niall have created a wonderful life together. 

While you do collaborate on songs occasionally, you’re still two independent artists. Part of your basement was made into an at home studio, with one section being completely soundproof. So while you can see each other through the window, you can’t hear each other if you’re on opposite sides of the glass. 

Niall spends most of his time inside the soundproof part. He likes to use all the instruments inside, recording parts as they come to him and playing around with the mixing equipment to hear different sounds. 

He also likes to watch you through the window as he brainstorms. He’s constantly endeared by your writing process, which includes various notebooks strewn across the floor and you repeatedly picking up your guitar, playing for a second, and placing it down again before writing a few words and notes on the page. 

One beautiful spring Saturday, you do a girls outing with your friends. After a day including brunch, a spa trip, and some time shopping, you arrive home. Niall greets you at the door. He takes your bags as he kisses you on the cheek and asks how your day was. 

You tell him all about it as he leads you out back to your patio. The sight catches you off guard. The table is set, and decorated. Garlands of flowers are draped around the railing, and decorative lights are set up to bathe the patio in a warm glow. 

“Did you do all this?” you ask, amazed how wonderful it looks. 

“I did, yea. May have gotten some tips from Harry but it was mostly my vision,” he says with a laugh.

“Well you did an amazing job. This looks perfect,” you say and he glows from the compliment. 

“I’ve made dinner as well. Not chicken, I promise,” he says and you both laugh, remembering the unseasoned chicken incident of 2017. 

He pulls out a chair and adds, “Have a seat, and some wine. I’ll go grab dinner.”

You take a sip of the wine he’d chosen and take another closer look at the decorations. A moment later he’s walking back out, a steaming tray in his hands.

“Is that Shepherd’s Pie?” you ask excitedly. It was the first thing he’d cooked for you years ago, and remains your favorite dish to this day. 

“It sure is,” he replies, setting it down on the table. He spoons some onto each of your plates and you cheers with your wine glasses as you wait for it to cool a bit.

You enjoy dinner together and after Niall clears away the plates, refusing your help, he walks back out with his guitar. 

“So uh, I’ve finished a new song that I’ve been working on and I wanted to share it with you,” he says, more timid than you’ve ever seen him. “It’s called ‘You Can Start a Cult’. It’s inspired by you.”

You’re intrigued by the title, and then he begins to play the most heart warming song you’ve ever heard. You’re not often moved to tears, but you're overwhelmed by emotion at this beautiful song he’d written about you. 

When he finishes playing he puts down the guitar, pulls a box from his pocket, and kneels in front of you. Your heart starts to race and you realize what’s happening a second before he starts to speak. 

“Y/N, these past years with you have been so wonderful. You are my best friend, and my favorite collaborator. You are my muse. You are the love of my life. And I want to spend the rest of my life with you, if you’ll have me. Y/N, will you marry me?”

You take a deep breath before replying, “Yes, Niall, I will marry you.” 

The biggest smile appears on his face and he quickly moves in to hug you. You remain like that, holding each other for a few minutes, sharing small kisses and expressing your love for one another.

Months later, Niall’s tour begins. You join him for some shows, but others you can’t attend due to your own work. He has a rotating setlist, but “You Could Start a Cult” is played every night without fail. And every time he sings it, whether you’re in the audience, or thousands of miles away, it’s like he’s singing just to you.

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AN: Thank you for reading! I have a multi-chapter Niall x reader ABO fic planned for the fall!

[babyaiker]

I’m writing this at 5am but when @verdemoun “kieran duffy hyperfixation page” themself encourages you to talk about your now 5 month long obsession, you know you gotta,,, 

Mini break down of Kieran’s characterization in the Paying A Social Call mission, lets go

Before I get too far please know I genuinely have no beef with people who baby Kieran. He’s a fictional character and we’re all just having fun, I just really like analyzing the text ^^

In my last post where I talked about my favorite part of Kieran’s character, I briefly mentioned how the mission Paying a Social Call (the mission in chapter 2 where Kieran is freed) contains a lot of characterization for Kieran that a chunk of the fandom misses. It was when I was watching someone's random stream did I remember how much was getting left out. While I've seen plenty of people rant about Kieran's mischaracterization in the fandom, details from this mission were often left out of the discussions I personally saw. So while I really don't care WHO you interpret Kieran as, having an excuse to rant about the mission I could probably quote start to finish is fun.

Despite the circumstances Kieran finds himself in, he’s not a coward. He knows his worth and isn’t afraid to bite back at others for messing with him. The only reason he cowers and runs off is usually because he was physically hurt, threatened to be hurt, or knows the person he's talking to would gladly hurt him. We have evidence of him acting like this in maaany different ways through the hidden dialogue scenes in camp. His goddamn catchphrase “I ain’t no O’Driscoll” is an example in of itself, showing that he isn't just cowering and crying because of how he’s treated, he's actively fighting against it.

But now let’s actually get into Paying A Social Call, as the only thing Kieran does throughout the entire mission besides show the boys where Six Point Cabin is, is defend himself. 

The beginning of that quest is well… a beginning for sure. I’d probably be a mess too if I was starving and about to get my nuts ripped off. 

His whole “I ain’t no O’Driscoll” shtick only gets louder the second he’s untied. He’s as cooperative as he needs to be, but is gonna make sure everyone knows he isn’t happy about it. While there's a lot of snarky shit he can end up saying, the dialogue where he directly compares the Van Der Lindes to the O’Driscolls is something special. Like Jesus I would not be saying that shit in the predicament you're in right now! While you can still hear the unsureness in his voice, he’s not afraid to say it as it is. (I still find it interesting that even non Kieran fans will point back to that dialogue as foreshadowing and be like "aw shit the horseboy was right fellers")

Okok skipping ahead to the end cuz arughh there's a specific line said in the last scene that completely changed Kieran’s character for me. All I’ll say about the gunfight is that right before it, when John has his gun up against Kieran, while the camera pans to a group of O’Driscolls, you can see Kieran give Arthur a thumbs up when Arthur shushes him. It’s such a tiny detail but it amused me and my partner when we discovered it.

At the end of the mission, after Arthur realizes that Colm isn't there, he confronts Kieran at gunpoint, pretty much ready to kill him. Kieran of course acts like how we’d think he would,,, he promptly begs for his life. But once Arthur spares him and gives him the decency of running away, Kieran doesn't grovel back to him, begging to be taken back, he fuckin yells at him. He understandably points out that letting him go free is as good as killing him, as the rest of the O’Driscolls would likely have his head for this (didn’t like typing that). His very blunt, angry line of “So I’m one of YOU now!” genuinely made me rethink what I’d been assuming about him. It likely dawned on me while I was staring at the streamer’s “hose goat” cam, but just demanding a spot in the gang like that isn’t something a coward would do. He is incredibly firm in his “fuck you, you’re stuck with me now”.

Even his dialogue after is just more examples of him being very aware of his vicarious situation (Arthur: “Alright, but I’m warning you”, Kieran: “Oh, I know”) and being more than eager to start proving himself useful (Kieran: “See Arthur, I ain’t so bad!” ^^)

I genuinely think the whole “whiney useless baby” assumption comes from the fact we play as Arthur. Arthur VERY adamantly views Kieran this way, literally calling him a baby as a way of antagonizing him. And because most everyone loves Arthur, they’re bound to view Kieran the same way he does. Unreliable narrator kinda thing, though I'm not saying that's a bad thing in the slightest. And with the magic of RDR2’s actually good character writing, I can sit here for 700 words summarizing why Kieran’s actually kinda cool sometimes. 

So ya, I wouldn’t say Kieran’s a coward, but I’m also not gonna say he’s some crazy cool badass murderer outlaw. He’s a dude trying to survive who’s been kicked out of or lost every home he’s known. He’s still a silly guy I wanna lovingly snap over my knee like a twig. With the life he’s lived you can’t afford to be unable to stick up for yourself, he’s just smart enough to know when it’s time to lay low.

[banjjakz]

serial bereavement ; yuuta x gn/f!reader

Every first Thursday for the past six months, without fail, a single plot of ashes has been unlawfully exhumed from the cemetery behind Joenji Temple.

Or: As a rookie hire, you are partnered with Investigations Section 1 Officer Okkotsu Yuuta to investigate a law-defying, bone-chilling, uniquely disturbing case of obsessive love that threatens to shut down the entirety of Shinjuku.

part i. word count: 5.2k

warnings: rating & warnings WILL change; part i of iii; reader is referred to with she/her pronouns & has a vagina & breasts, but is never addressed with gendered titles [e.g.: "ms.," "lady," etc.]; eventual smut that is dubcon at best; horror-romance, in that order; themes of psychosexual horror; side satosugu [non-essential to plot]; i cannot overstate how abnormal this one is, even for me

the content of this fictional work is inspired by the video game "collar x malice" which belongs to the original rightful owners. i do not own or claim to own the rights to the collar x malice franchise. this written work does not represent the intentions, actions, or thoughts of any of the creators/owners of the "collar x malice" franchise.

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Every first Thursday for the past six months, without fail, a single plot of ashes has been unlawfully exhumed from the cemetery behind Joenji Temple.

The first incident was thought to be a freak accident, one of those strange, wild card crimes that confound local police and commandeer national attention. Pictures of the desecrated grave ravaged internet forums for weeks thereafter, sending chills down the backs of even the most stoutly atheist Japanese youth. An already horrific occurrence worsened all the more with the repeated presence of a seemingly random signature: there, at the bottom of the grave, in the very deepest point of the aged, black soil, laid a folded handwritten note. Upon unfurling the crisp creases, the Shinjuku Police Force Special Crimes Unit discovered that these were actually letters.

Love letters, to be exact.

Presumably penned by the perp, the characters were neat and clean – almost feminine in nature. So strong was the desire imbued into these letters that it seemed as though each individual brush stroke contained one thousand sonnets of unceasing, burning ardor. Clearly, the perpetrator yearned for the attention of their beloved.

That they would go to great lengths – immoral lengths, even – for just a three-minute story on the evening news, all so that their beloved might idly overhear the report as they prepare their dinner, idly chopping radishes to the soundtrack of a violent confession woefully fallen upon their deaf ears…

Well. It makes you squirm. You suppose that’s the point.

As a fresh-faced rookie of the Special Regions Crime Prevention Office, this is your first time on the job in the midst of such a sensational case. At first, your department was unsure how to label these crimes: neither killings nor injuries were incurred, and yet, the spiritual damage effected by the robbing of a Buddhist shrine’s graveyard was somehow worse than any brutal homicide. Eventually, the commissioner labeled these incidents as “Serial Bereavements” out of respect to the families whose deceased loved ones had been wrongfully removed from their final resting place.

After the first offense, local news stations reported the anomalous crime with a sick sort of fascination. Lovesickness was no foreigner in Japan, and although many screwed their faces up at the morbid displays of affection, so too did just as many turn up the volume on their televisions and lean just a few centimeters closer, eyes glazed with blue light, horror, mortification, and arousal.

After the second and third offenses, it was obvious that a pattern was beginning to emerge. Both incidents occurred on the first Thursday of the month, and both incidents were signed with the same achingly forlorn pages of desperation. In fear of exacerbating the perpetrator, or inspiring copycats, news stations and publications were not permitted to release the contents of the letters.

After the fourth offense, protests began to congregate outside of the Shinjuku Police Station, demanding an immediate and swift correction of the police’s incompetency in addressing the issue. When the first set of ashes had been disturbed, cherry blossoms still clung to the trees. By this time it was July, and the harsh glare of the summer sun beat unrelentingly upon the earth, as though reprimanding its inhabitants.

After the fifth offense, a special curfew was instated for all residents of the Shinjuku ward. No persons for any reason were to be out past eleven o’clock at night. This was punishable by immediate apprehension for questioning. The law was martial, but the law was necessary. Or so the commissioner claimed.

After the sixth offense, the police began looking inwardly, suspecting members of its own ranks. There was no possible way that a civilian could have been able to penetrate the immense security measures installed to secure the Joenji cemetery. Ropes and ropes of caution tape, nearly 24/7 surveillance, and daily K-9 rounds were still not enough to halt the perpetrator in their tracks. This could only mean one thing:

An inside job.

“Scary,” shivers Ieiri, mockingly, lips curled in a sardonic smirk around the length of her unlit cigarette. “You hear they think it’s one of us?”

You regularly have lunch with Ieiri Shoko, director of the Forensics department. She is as caustic as she is jaded, having served in an underrecognized role for far too long, wasting her prolific talents in an obscure government position with little excitement – save for, of course, highly-charged periods of reoccurring atrocities, such as the current case of the Serial Bereavements.

“Don’t even joke. We should be taking this seriously…”

The cooling September breeze has you huddling into your knees a little further. Enjoying lunch on the rooftop was a treat while it was still summer. But now, September has just torn a new page in your calendar and has brought with it an uncharacteristically crisp cold snap. It is Tuesday, the second.

“I’m sooooo serious,” Ieiri says after taking a rather dramatically prolonged drag from the now-lit cig. “Couldn’t be any more serious. Brr.”

Usually, Ieiri’s dry humor is an effective, if transient, salve to your ever-festering anxiety. But today is an exception.

“Please, just think about it for a second... To think that any one of the people we work with every day could be committing such heinous crimes…and for a romantic obsession, no less…it doesn’t frighten you?”

Ieiri exhales smoke, puffing lazily like a sated dragon draped over its hoard. “Nah. I seriously doubt anyone in our ward has the balls.”

Her vulgarity makes you blush. You’ve always been easy to fluster. “Ieiri-san!”

“How many times have I told you to just call me by my first name… jeez.” She ruffles your hair without even an ounce of care for how it makes you groan in consternation. “Too polite for your own good. Someone is going to take advantage of that, one day. And then where will you be? Calling for Ieiri-san to come save you?”

Somewhere, she’s strayed from the path of lighthearted teasing. You still under the weight of her calloused palm, peering curiously up at her through your lashes. “Um…well…”

And as soon as her touch had manifested upon you, just as quickly is it yanked away. “Anyways, call me whatever you like. Not like it matters, anyway.”

“I guess not…”

The rest of your lunch is finished in an unstable silence. Her final, rhetorical question rolls around in your mind, impressing itself upon your malleable brain tissue: Calling for Ieiri-san to save you?

But when would you need saving?

You’re a police officer, after all. You can take care of yourself.

If you couldn’t, why would you serve as an officer in the first place?

;

On the following Monday – the third of September – the director of the Investigations Unit summons you to the fifth floor.

After a polite (terrified) bow, you enter Investigations HQ. “Hello.” Please do not fire me. Please do not transfer me. Please do not publicly reprimand me. Please do not—

“Ah, thank you for coming. Wow, what a deep bow. I don’t think I’ve ever seen such a perfectly geometrical ninety degrees.”

Face burning, you avert your gaze to the marble floor. “Ummm…”

You’ve heard that the chief of Investigations, Gojo Satoru was an eccentric fellow, passing in and out as he pleased through the station, hanging off of the director like a second skin. It should come as no surprise that he is here to greet you, today. And yet, still does your thin skin prickle with humiliation, with shame.

Geto Suguru, director of Investigations, cuts in before his partner can continue. “Leave her alone, Satoru. She’s shaking. Are you doing alright today, officer?”

Embarrassed, you nod. Great. It hasn’t even been a full sixty seconds and you’re already embarrassing yourself in front of your superiors.

“Alright, alright. I’ll lay off. Only ‘cuz you asked, though! Hehe.”

“I’ve summoned you today to invite you to join a special taskforce,” Geto continues, unperturbed by Gojo’s wily eyebrow wiggles. “This taskforce will use unique means to investigate the Joenji Serial Bereavements.”

Your blood is paralyzed in your veins, cowed by the enormity of this proposal. “Sir…?”

“In the short amount of time since you’ve joined the Shinjuku Police Department, your conduct has been nothing but outstanding. You’re capable and damn impressive. And frankly speaking, officer, we need a fresh set of eyes on this case.”

There’s nothing else you could possibly say other than: “I would be humbled to join. Thank you.”

“Great, knew we could count on you. We’re keeping the taskforce small for confidentiality’s sake. You’ll be working with one other partner: Officer Okkotsu Yuuta from Investigations Section 1.”

That name… why do you know that name?

Then it hits you: Okkotsu Yuuta is the name whispered through the halls of the police department with awe, envy, admiration, and – occasionally – fear. He is a legendary detective with prowess in both tactical as well as strategical measures. His presence is felt rather than seen, as he is scarcely spotted within the physical walls of the department. However, what does not tangibly appear is nonetheless ever-present in whispered rumors and glamorized notoriety.

“O-Okkotsu-san…” you stammer, taken aback. “But…I’m sorry, sir. I don’t mean to question your judgement, but why have I been chosen to pair with Okkotsu-san?”

“Oh! He specifically requested—”

Gojo’s cheerful sentence is curtailed by a swift elbow to the ribs. While he recovers, Geto finishes the thought, “Okkotsu has requested to be paired with a rookie for this assignment to personally train them. Something about ‘personally ensuring the longevity of the Shinjuku police force,’ or the like. What a do-gooder, am I right?”

“Okay,” you respond, uncertain.

“Your first matter of business will be a visitation to the Joenji graveyard to look for any new leads. You leave in one hour. Okkotsu will meet you downstairs, in front of the building. Good luck!”

In a daze, you bow deeply once more. “Thank you. I will be sure to work hard.”

;

Unsure of what to expect, you linger in front of the armed entrance to the building, trying your best not to shift your weight from foot to foot in an obviously apparent display of anxiety.

It’s not that you’re the type to be starstruck! You are a sensible, no-nonsense, down-to-earth person. Celebrities have never appealed to you much, and idol culture continues to confound you.

In light of this, it’s quite difficult to explain the visceral, full-body reaction you have when you meet Officer Okkotsu Yuuta for the first time.

He is not superbly handsome. Good-looking enough to get street-casted? Sure. With some minor work, he might even be the jewel visual for an up-and-coming boy group. Young and fit, he is the picture of an officer steadily approaching the peak of their hotshot years. Plain, dark hair falls on either side of his forehead in a lopsided part, and his uniform is buttoned and put together, if only a little wrinkled. All in all, he is an average, considerably attractive young man in the Shinjuku police force.

And yet.

Eyes like pools of obsidian tether you to the spot like a spell has been cast upon your bones. Enchanted, your lips part, but no sounds slips through. The intrusive, overstimulating soundtrack of Shinjuku rush hour traffic fades to little more than background noise as your senses are held hostage by the void of quiet, negative space in the shape of a young man that stands in front of you.

His bow is deep and overly formal. He’s technically your superior… and definitely a senior-ranking officer. “A pleasure to meet you,” he announces to the concrete ground “I’m Okkotsu Yuuta, Investigations Section 1.”

“N-nice to meet you, Okkotsu-senpai. My name is—”

The cringe marring his otherwise untroubled face stops your words before his interjection is even voiced. “Ah, um. Just ‘Okkotsu’ is fine. We look to be around the same age, too, so I don’t mind. May I address you casually as well?”

Face burning, brain scrambled, you somehow remember how to speak. You give him an affirmative before pausing, perplexed. How did he know your name already?

Okkotsu specifically requested to be paired with a rookie…

Geto’s words float to the forefront of your mind, soothing your hummingbird heart. Surely, the director and chief of Investigations must have briefed Okkotsu on your file before you were cleared to accompany him on this special taskforce.

Normally, you are woefully naïve, a bumbling but well-intentioned junior officer. The unsettling nature of the Serial Bereavements have pushed you towards an edge you didn’t even know you could reach.

The thought of the assignment weighs down your fresh-faced bashfulness. Suddenly, the afternoon sun is less bright, the heat on your face concentrating into the precursor to a migraine just behind your eyes.

Okkotsu blinks once, twice. “Thank you for working with me on this case. Would you believe me if I told you that I’m a bit of a scaredy cat?”

Your eyes bug out of your head in disbelief. “Um? But you…” His reputation specifically includes the highest number of skillful takedowns, arrest totals, and successful confessions across the entire prefecture. A scaredy cat?

“I know how it looks. It would be quite embarrassing if anyone else knew… but I’m a pretty anxious person.”

With a refocused perspective, your gaze hones in on the smattering of purple bruises underneath his tired eyes which birth a cool webbing of veins sprawling down and out across his pale, gaunt face. You realize that his uniform isn’t actually wrinkled – it just hangs off of his thin frame, tucked intentionally to give off the illusion of a much bigger silhouette.

In him, you see a reflection all too similar: young, ragged, hungry, scared.

It’s not enough to set you completely at ease, but your lungs relax their hold on your bated breath, letting it go as slowly and reluctantly as a child forced to part with their favorite plush toy. “Me too,” you hum. “Um, nonetheless, I will definitely try my best to be helpful. I hope I will not slow you down Okkotsu-se—er, Okkotsu.”

“It’s not about fast or slow.” The service car pulls up and loiters at the curb where the two of you are still lingering. He opens the back door for you. This is the first time a polite young man your age has done that. You try your best to remember that you are literally at work, on the clock, about to investigate an especially morbid case.

Once ensuring you’re comfortably inside, he shuts the door and rounds the rear of the vehicle to slide into the leather seat next to you.

“What matters is that we can rely on each other. Fast or slow, we’re partners now… as long as we finish together, it doesn’t matter the pace.”

He rattles off the address to the department driver after dropping what is possibly the most insightful reassurance you have ever received in your life.

Okay. You can kind of understand why the entire department is obsessed with him.

“R-right. Thank you.”

The rest of the ride is spent in a silence two shades off from comfortable. Nothing is wrong, per se – but the both of your negative energies linger and interact with each other like animals of the same species encountering for the first time.

How odd, you think, to find someone like you, and who is unashamed – eager, even – to admit it. To embrace it.

;

The cemetery is small and would otherwise go unnoticed if not for the dramatic influx in attention following the past few months. Plain and unadorned, neatly kept, with no ostentatious monuments or memorials, as is befitting for the burial grounds behind a Buddhist temple. All in all, the scenery would be somewhat peaceful if not for the six disturbed plots of land where remains were once laid to rest.

This is your first time at the scene of the crime. Your rank is too low to justify visiting this high-profile area without clearance from a supervisor. Now that you’ve been assigned to a taskforce specifically investigating this case, it was necessary that Yuuta took you to observe the scene yourself.

Although there is a total lack of gore or rot, still does the sight of six empty graves provoke within you an acute revulsion. Perhaps it is the absence of any overt suffering, and the oppressing knowledge of the extended waves of unearthed grief spanning across multiple kin networks who must now lose their loved one a second time – this is what inspires the damp, fragile sheen pooling at your waterline.

“Hey,” calls a soft, gentle voice. Yuuta’s timid wave brings you back from your wallowing. “Before we left, I grabbed the letters from forensics. Thought it might be helpful to have while we re-assess the scene.”

Something he’d done entirely for your benefit. Conscious of your lack of experience with the case, you incline your head, grateful. It’s almost as though your gratitude makes him uncomfortable. He averts his gaze and hands over a collection of six plastic-encased papers. Despite their origins within deep, aged earth, each one is pristine.

Steeling yourself, you read February’s letter, the origin of chaos:

My Dearly Beloved,

Did you know that not even the moon and all her stars, nor the sun and all his days, burn as brightly as my heart does for you? There is a certain privilege that I have been blessed with in this lifetime: the privilege to admire you from afar while passing through your stratosphere when it is convenient.

But, unlike you, I am a flawed and impure creature. I am greedy. Each morning, I wake up with a hunger to do more than watch. I want to draw you near to my side. I want to feel your flesh. I want to know what your innards taste like. I want to bathe in your desire. I want to carve myself into your being, forever and ever and ever, so that in the next life, you will be born missing me.

Please look at me. I love you so terribly it defies the laws of life and death. You’ve awoken something within me. I hope you’ll take responsibility.

Nauseous, you shift the letter to the bottom of the pile, hands shaking, head spinning.

“How disturbing…” you can’t stop the words from leaving you, unbidden. “How can someone desire another person in such a way that it permits violence?”

Okkotsu studies you closely. “Do you really feel that way?”

Alarm coils like a snake cornered in the pit of your gut. Sharply, you snap your gaze to his still, calm face. As pallid and pockmarked with depression as the moon herself. “Excuse me?”

“Are you truly disgusted by this kind of love?”

Fighting to ignore your fight-or-flight response, you answer: “I don’t consider this to be love.”

Peculiarly, his face breaks out into a smile, clearing away the lingering cloudy expression. “And that’s why I’m glad we’re partners. I knew you’d have the right idea about this.”

“Most people condemn this crime…”

“But too many sympathize with a false motive,” he volleys back, dark eyes glinting with a strange intensity. “This isn’t a crime of ‘love.’ The perp doesn’t act out of affection. They want to own, subdue, and take what is not theirs. How is that love?”

“Exactly,” you affirm. “To be honest, those connections have always kind of unsettled me…even in shows, or books, or games, I could never look at the obsessive type.”

“Scary, aren’t they?”

This isn’t just a work case for him, you belatedly realize. His tense posture, his imploring eyes, his specification of partner – this is personal. Something about these occurrences strikes a chord deep inside of him, resonating so profoundly that it would not be enough to watch another resolve these crimes; no, Okkotsu is compelled to eradicate the danger completely, uprooting it from the source, destroying the danger with his bare hands, watching it dissipate with his own eyes.

“Mm. I’m glad we’re working on this case together, Okkotsu.”

He offers a small, benign quirk of the lips. “Me too.”

Your partnership progresses steadily from this first encounter.

Most of your daily duties are now fulfilled off-site, accompanying Okkotsu to various locations of interest, following potential leads, and occasionally conducting interviews. It’s been merely two days since the taskforce has been formed, and yet, you’ve been so preoccupied with your new assignment that it completely slips your mind to alert Shoko as to why you’ve been absent from your regular rooftop lunch dates.

You are mortified to open an aggrieved SMS from her on Wednesday morning:

Ieiri-san 08:15Oi. Are you dead

Me 08:16 Ahhhh!! I’m so sorry!!!! A new assignment is taking up a lot of my time. I apologize for not communicating. And for missing lunch. We can eat together today? I can bring you something? Whatever you like! I can make it!

Ieiri-san 08:20 Nah, none of that You’re probably overworking yourself already. No need for extra labor Just meet me on rooftop @ usual time

Me 08:21 Absolutely!!

It is surprisingly difficult to tear yourself from Yuuta’s side, as the two of you have been practically glued together from sunrise to sundown ever since embarking on the special assignment. He is reluctant to let you slip away for lunch, and as a result, you linger past a reasonable time to reassure him that you will be back on time.

When you are finally able to break away from Investigations HQ, you check the time on your phone only to realize that noon has rounded the corner with unanticipated haste. Hurriedly, you make your way to the seventh level of the police station building, embarrassingly conscious of your damp forehead and rapid breath.

“Sorry I’m late!!” Bursting through the metal door, you explode onto the rooftop, cloth-wrapped bento in one hand, and your furiously beating heart in the other.

It’s almost comical, how serene Ieiri looks, unbothered as ever as she leans against the railing with her trademark cigarette weaving in between her restless fingers. “Took you long enough. Been waiting for two days, now.”

“Ahhhh…”

“I’m kidding, I’m kidding. You look like you’re about to piss your pants. C’mere.”

Face in flames, you stride over to pop a squat next to her. “I really do apologize, Ieiri-san. These last couple of days have been really hectic…”

“How so? You mentioned a new assignment. When did that happen?”

“Hmm, I’m not sure if I can talk about it…Investigations personally assigned me…um, not to be impolite or brag or anything! Just, I think it’s a little sensitive in nature, so—”

“Investigations?” She cuts you off, her dull timbre unusually sharp. “You mean those two idiots asked you to handle a highly classified criminal case? During your first quarter? By yourself?”

“Ah!! Geto-senpai and Gojo-senpai are quite eccentric, but they are very nice--!”

“No, they are not—”

“—and I’m not by myself! I’m partnered with Okkotsu Yuuta!”

If you weren’t such an anxious person who is well-practiced in the art of overanalyzing the countenance of others, you would surely have missed the way Ieiri’s eyes widen imperceptibly, the way her breath stutters on the next exhalation. She does not look at you for a beat. Two beats. She stares straight ahead at the exterior of the building when asks,

“You’re investigating the Serial Bereavement cases.”

“Ieiri-san…” you whine, head in your hands. “I’m, like, ninety percent sure no one else is supposed to know…”

“What, don’t trust me? Not like I have any friends around here to tell.”

“That’s, well. That’s not the point. Okkotsu mentioned that this was a sensitive matter, so…”

“Just ‘Okkotsu,’ huh?” She peers sideways at you. “No ‘senpai’? Wow, you two sure got comfortable fast.”

“No, please don’t misunderstand! Because honorifics make him uncomfortable, he asked that we speak casually!”

“I asked you the same.”

Her blunt response stuns you silent. It takes you several seconds to produce a response. “Well, yes. But that’s different…Ieiri-san is older…”

“Not by much.” Finally, she lights the cig in her hand. “Hey, let me ask you something.”

“Okay, please go ahead.”

“It was Investigations who put you on the case? Nobody else was involved?”

Hesitation halts your tongue. Mentally, you are transported back to that fateful day, just a little less than forty-eight hours ago, when your new assignment had been unloaded upon you.

“…I’m sorry, sir. I don’t mean to question your judgement, but why have I been chosen to pair with Okkotsu-san?”

“Oh! He specifically requested—”

Gojo was never able to finish his sentence, cut off by Geto’s strategically timed blow. Almost as though the chief was about to reveal something better left unsaid.

You may be a rookie, but you aren’t stupid. There’s a reason why you got this job, after all.

And if you can deduce this much, surely the next conclusion you land on isn’t so far-fetched:

Okkotsu must have personally requested you as a partner.

But the question is…why? You hadn’t been personally acquainted before you’d met outside of the station before heading to your first investigation together. He’s been nothing but kind and respectful – if a little unsettlingly intense, at times, but you think that’s just kind of how he is.

There must be an element that you’re missing from the equation, a piece of the puzzle of which you are not yet aware. It is for this uncertainty that you choose to disclose the truth to Ieiri.

“Okkotsu requested me as his partner.”

Obviously, she asked you for this information because something was dependent upon how you answered. Studying Ieiri’s reaction might be the first step towards unraveling this strange situation.

And react, indeed she does; again, it is quite muted, eroded by years of police work and other unspoken traumas you’re sure lie dormant inside of her mysterious, impenetrable depths. But perhaps it is because of your friendship that Ieiri’s micro-expressions appear to you more as the dramatic admission of feeling that they truly are.

A twitch of the brow, a purse of the lips. Her next exhalation of smoke comes fast and hard, expelled from her mouth in one decisive whoosh of toxic air. Usually, she pays special attention to the wind pattern so that she does not blow smoke in your face. It seems she’s thoroughly perturbed today; the fumes whip you across the cheek and you hack violently in surprise.

Your adverse response snaps her out of the momentary brooding. “Shit, sorry,” she mumbles, quickly removing the cig from her lips and smothering it on the ground. “You alright?”

“J-just fine,” you murmur after one final bout of ear-splitting dry heaves. “Can I ask you a question, now?”

“Shoot.”

“Is it a bad thing that Okkotsu and I are partners?”

Visibly, Ieiri must chew and swallow her initial retort. This is quite unprecedented behavior from the woman with little to no filter on any given occasion. “How are you finding it so far?”

“Well…he’s really considerate. And accommodating. Um, he even revisited the crime scene with me since I’d never been, and he let me read all the letters, too.”

“That’s funny,” says Ieiri, stone-faced. “How did he show you the letters?”

“He said he picked them up from the station before we left. I was quite surprised that he went through all the trouble of doing that, since those kinds of sensitive evidence usually aren’t allowed to leave Forensics…”

“You’re absolutely right. They aren’t.”

“Ah…Okkotsu must have special clearance…?”

“He doesn’t,” Ieiri deadpans.

“…I see…”

Her hands twitch at her sides like she’s itching for another smoke, even though the carcass of her most recent stick still smolders underneath the dagger of her high heel. “Well. You can do whatever you want with Okkotsu. Sounds like you’re in capable, dedicated hands.”

“Huh? Ieiri-san, wh—wait, where are you going--?!”

But before you can finish your panicked inquiry, Ieiri has already blown through the metal door, stomping her way back downstairs to the sixth floor where the Forensics Department awaits her gloomy presence. It’s unlike her to storm off mid-conversation. You’ve never seen her emotions rise above slight annoyance – and that level of frustration is reserved exclusively for the Investigations chief and director. What had you done to provoke even worse of an ire?

Riddled with guilt and anxiety, you wade through the rest of the workday in a foggy, unfocused haze. Okkotsu gives up trying to ask you what is wrong after his third attempt. When you eventually, mercifully fall into bed that night, unshed tears overflow past your clenched, trembling lashes, staining your pillow with sorrows you cannot speak aloud.

Upon waking up, you are granted no reprieve. It is Thursday, the sixth of September. The first Thursday of the month.

You don’t bother with something as trivial as breakfast this morning – not when the thought of what awaits you in the day ahead fills you to the brim with unbearable dread.

Arriving at the police station and getting briefed on the day’s events only confirms your worst fears: there has been another Bereavement at the Joenji graveyard.

This month’s occurrence is twistedly unique.

Accompanying the usual handwritten letter is a fresh, human heart, so red and wet, glistening with fresh gore, that it almost appears to be beating through the still stock photos taken by Field Operations upon first discovery.

Due to your increased status, you are granted clearance to read this month’s note before any other department can get to it. Ieiri is absent from the Forensics office when you rush off the elevator to the sixth floor. One of the interns retrieves the file for you, and you are equal parts eager and terrified to scan its plastic-encased contents.

My Dearly Beloved,

Aimless admiration has thus far sated my yearning soul. Seeing you eat well every day fills my spirit with a sense of completion. I am at ease to watch over you and ensure your wellbeing. But there has been a disturbance. I can feel your increased awareness, like a child opening its eyes to the world for the first time. Coupled with this awareness is a newfound distance between us. Things were going so well. Why now? Why pull away? This can’t be because of me. It must be someone else.

I think I know who.

What must I do to regain your undivided attention? How can I reclaim your primary affections? To experience even an inch of separation, a millimeter of remove, is for my body to undergo countless agonizing deaths.

Will you pay attention to me?

Will you notice me?

Will you choose me?

Look at me.

Look at me.

Look at me.

I serve my beating heart up on a platter just so that your gaze might befall it for the barest of breaths.

Recent events have shown me that I cannot stand idly by any longer while others sneakily and deliberately encroach on our relationship. I’m getting restless. I’ve been waiting quite patiently. Are you as antsy as I am? Soon, you’ll know me as all that I am.

I miss you. I see you every day and I miss you. Come back to me.

Before it’s too late.

[makethosenarratorsfight]

UNRELIABLE NARRATORS; THE FINAL FINAL

Shen Qingqiu Propaganda:

The entire series is told from his POV and the story seems like a comedy. The side stories from other characters POVs make the story sound like a tragedy. He thought that Luo Binghe hated him and wanted him dead while everyone else knew that Binghe was in love with him.

the whole book he’s using his OWN interpretation of the world to explain literally everything, not knowing that his introduction into the world changed it so fundamentally that his prior knowledge of it is less than useless. he’s like “binghe is being sweet to me because binghe is sweet to people that wronged him before repaying their slight a thousandfold, and he only adds their acceptance of his sweetness to his tally of their sins!! i have to run away forever or he’ll tear my arms and legs off!!!!!!” and binghe in reality is like “wow the love of my life my beloved shizun is scared of me still :( i should act sweet and nonthreatening so he’s not scared of me :(�� and he literally doesn’t have this corrected until the end of the book. but even when that one thing is corrected he still is like “haha okay but these other six things-“ bro……. cucumber bro………….. you homosexualized the world just accept it

He examines the entire reality he's isekai-ed into as if it's still fictional and his inner monologue ignores any "character trait" of the people around him that doesn't fit into his perception of "canon" despite everything he's done to change reality from the canon of the novel he first read. He routinely mislabels his own emotions as well as making heteronormative assumptions about himself and the people around him before he finally realises he's in reciprocated gay love with a man. It's a book that benefits being read twice, so the second time around you can focus on the implications Shen Qingqiu blatantly misses.

Transmigrates into a novel he “hates,” assumes he’s doing a good job pretending to be the character whose body he got stuck in, assumes other characters will stick to their original paths. Lotta assumptions, lots of rationalizing, lots of incredible feats of misunderstanding/misinterpreting things. His internal narration is also hysterical.

Lemony Snicket Propaganda:

(I would like to preface this by saying that Lemony Snicket is the author's pen name, not a real person, and he exists as a character in-universe as well as being the one in-universe who writes the books!) I'd say he's unreliable because he spent time collecting information about the Baudelaire kids and then... wrote books about it. He has no idea what any of their dialogue actually was, what they were thinking, or even the whole plot, he's just doing research into the incidents and then filling in the gaps to make it a story. What ACTUALLY happened to the Baudelaires? Nobody really knows for sure

While the Baudelaire siblings are in potentially life threatening danger, he will randomly start talking about his own life and just leave the siblings hanging. For example, once Count Olaf was threatening to kill Violet, and then Lemony randomly began talking about how he met the love of his life at a costume party. This man CANNOT stay on topic. Usually when a new character is introduced, Lemony tells us right at the start that they’re either going to die or that the Baudelaire siblings will never see them again. Foreshadowing is not subtle in these books. CONSTANTLY emphasizes how miserable he feels while writing these books. At one point he admits that he had to put his pencil down and go cry for a while because of how sad it made him. Once he filled an entire page with nothing but the word “ever” to emphasize how dangerous it is to put forks in electrical outlets. He also repeated a paragraph about deja vu later on in the book to give the reader deja vu.

[messrsrarchives]

something i don't talk enough about as a trans person in this fandom is the guilt.

because i feel so fucking guilty all the time. for,,, doing something i enjoy? which is fitting, i guess, that i hate myself for the very thing transphobes hate me for - living happily.

and i don't talk about it because,,, well. i don't know how to.

it's all very disconnected, isn't it? you will open fics to the disclaimer "i do not support jkr", you engage in queer stories etc etc but,,, you don't really think about it?

until you're picking up your hrt prescription and the price has gone up by a third without warning. until you're booking an "assessment" with the clinic you pay nearly £200 a month to because the government's decided that you need to regularly prove that you're trans enough. until you're having your fifth heart attack and instead of finding answers, you're told it must be the hrt even though you weren't taking it for any of the other times. until you're sitting in an ed clinic and you're told that clearly it's all rooted in being trans, even if you've been here for years before. until you're searching for emergency accommodation because you're homeless and you're rejected by the first six that you try because you "aren't a right fit". until you're buying fucking milk and have your hair pulled and shirt lifted. until you're walking 'home' alone.

and then you get 'home', and you think "what a rough day, i'll do something i enjoy now"

and you speak about a headcanon that people dislike and your face ends up on reddit pages with random strangers dissecting your identity. you talk about a ship people dislike and you're called slurs. you scroll through comments of people whining about a male fictional character in makeup, and suddenly it's not so disconnected anymore.

and you have to come to terms with the fact you are taking joy from something created by a person who wants you gone, and that you actually can't disconnect the two.

and i think i've become too comfortable. which is a wild sentence, but i have.

i think i've become complacent in this idea that my existence in this fandom is a form of protest, but it isn't. my existence is not a form of protest and i guess, it sucks. sometimes.

coming to terms with being in a fandom based on the works of a woman who actively fights for me to not have rights. it sucks.

and it feels like screaming into a void sometimes where no one can hear you because for some reason, being trans is a form of protest, and that alleviates any guilt.

and well, yeah. i guess that's right. i guess there's a point there.

but my existence isn't a form of protest, and i feel guilty for being here. even though i only engage in fanbased work, even if i don't directly profit her, even if i make sure that i make it clear that i do not engage with her in any way. even though i read fics that deconstrust her views, or headcanons that go against her etc etc.

i feel guilty, and i don't really know how to amend that.

but i can recognise that now, and that's something.

[bloodydesires-if]

Bloody Desires: The Cure - Intro Post

Demo TBA (Twine) | Itch.io Page

Bloody Desires: The Cure is a supernatural interactive fiction set in the 21st century. When the Vampiric Round Table (VRT) summons you to New York, you have no choice but to go. The VRT has learned of a credible rumor that a cure for vampirism is somewhere out there. But your kind aren’t the only ones searching for it. The dangerous supernatural exterminators, Heaven’s Hunters, seek the cure to wipe vampires from existence.

18+ for violence, blood, death, sexual themes, explicit language, and morally gray storylines.

Embark on a bloody adventure featuring:

6 unique MC backstories;

3 clans to choose from (Viscardi, Crescendo, Saleyrn);

characters, both supernatural and mortal, who you can form alliances and relationships with (or piss off?);

the ability to play as non-binary, male, female, cis, or trans;

opportunities to level up your skills for the fight ahead; 

multiple endings. 

Learn more about the backstories and companion characters below.

The following companions have platonic and romantic routes.

Kieran Collins - The Shifter

137 years old (looks early 30s) | Irish | male | he/they

Kieran is a shifter who takes on the form of a wolf. They have full control of when they shift, although it can be painful if they shift too often between resting. In his human form, he relies on knives and has spent his life studying supernatural rituals and artifacts. 

Charlotte St. Claire - The Deadly English Rose

28 years old | English | female | she/her

Charlotte is a Londoner with a dark past, having spent a large portion of her life entangled with the dangerous underworld of London. This path led to her imprisonment by a group of vampires who treated her as their personal blood bag. After escaping on the precipice of her death, she was found by Kieran who took her under his wing. 

River Silvius - The Witch

32 years old | American | non-binary | they/them

River is the youngest witch in their family and was raised in the state of Washington. They are currently a professor at the New York Institute of Witchcraft, the premier witchcraft college in North America. They sometimes work on cases with Bennett. 

Katerina Kallergis - The (Other) Vampire

282 years old (looks late 20s to early 30s) | Greek | female | she/her

Katerina is a vampire who was born in Greece almost three-hundred years ago. She despises vampirism - including herself and other vampires. Not much is known about members of her clan, the Infinitum, as they are a tight-knit group of vampires who value privacy and usually avoid other supernaturals as much as possible. 

Bennett Williams - The Cowboy

31 years old | American | male | he/him

Bennett grew up on a ranch in Texas, where he was the only survivor of a Heaven’s Hunters (HH) attack that wiped out his family, including his sister who was a Witch and the intended target. He is currently a private investigator for supernaturals and their families. He is fond of his cowboy hat and shotgun and wears an eyepatch on his left eye. 

There will be additional characters who play their own role in the story, including members of the Vampiric Round Table, clan leaders, Heaven’s Hunters, and more. However, this post would be too long to list all of those people.

Here’s a brief look at the six possible backstories for MC. Subject to change if needed by the author.

Shadow of War World I

Born: 1896 - London, England | Turned: 1915 - Loos-en-Gohelle, France

Born in the heart of London, your life brimmed with dreams. But those were overshadowed by the devastating turmoil of World War I. You were driven by a sense of duty at 19 years old and enlisted alongside your best friend from secondary school. After watching your best friend fall in combat, you were overwhelmed by survivor’s guilt and were left trying to navigate the war-torn world without them. Eventually, you were dying on a different battlefield, reminded of them. But as the darkness closed in, so did a vampire…

Shadow of the Roaring 20s 

Born: 1898 - New York, NY | Turned: 1922 - New York, NY

Born to a working-class family in the heart of New York City, you spent the entirety of your mortal life there. Your Sire was drawn to you as soon as you entered the speakeasy that fateful night… as your connection with your Sire grew, so did both of your desires to never lose each other. A year after being turned, a relentless group of vampire hunters took them from you as they sacrificed themself for your sake...

Shadow of the Spanish Renaissance 

Born: 1608 - Barcelona, Spain | Turned: 1635 - Madrid, Spain

Born to a merchant family in bustling Barcelona, your early years were spent comfortably and your family hoped you would follow in their footsteps. But your passions lay elsewhere. You found yourself inspired by artists such as Coello and Velázquez, and frequented libraries and salons. As you grew older, the weight of familial obligations bore down upon you. One night while you were in Madrid visiting friends, a vampire approached you with a proposal…

Shadow of the French Revolution

Born: 1770 - Vizille, France | Turned: 1799 - Paris, France

Born to a family of budding rebels in Vizille, you experienced the backdrop of social unrest and discontent. As the revolution began to spread across France, you found yourself at the midst of it in Paris. It is there that your Sire became fascinated by your sense of justice and chose you to be their eternal descendent. Against your deepest desires, you were thrust into immortality, a fate you never sought, as your original intention was simply to fight for the betterment of humanity…

Shadow of the Zhou Dynasty

Born: 890 B.C. - Western Zhou | Turned: 867 B.C - Western Zhou

Born into a prestigious family, you spent much of your time at court, learning from tutors and schemers alike. As a young adult, you were caught in the crossfires of a power struggle within the court. Betrayed by those you once trusted, you were the victim of an assassination attempt. You only remember your eyes closing….and then waking up as a vampire, your sire nowhere in sight…

Shadow of the Nile

Born: 1050 B.C. - Tanis, Egypt | Turned: 1023 B.C - Thebes, Egypt 

Born to a family of esteemed lineage, you were raised in the sacred walls of the Temple of Amun-Ra in preparation for your future as a religious figurehead. You did eventually become an important leader in Thebes during a time of political imbalance. But then you died. When you awoke, a vampire was watching over you with an amused look. They swore to have found you already dying in an alley…

-----

Asks are welcome if you so desire, however, I won't be doing NSFW reactions or long reactions at this time. I will still do some regular reactions and answer general NSFW. Thanks!

P.S. please let me know if there's an error in the post, thanks <3

[yolalalalaala]

What if Eury and Ares are dating when Mutiny happened?

(btw, it seems tumblr is more used to release pictures and videos. If anyone can recommend me a place to post long fan fiction, I'd be grateful！)

(I put some original characters in the article, not much space, just to explain how bad the situation on the fleet is)

The situation was worsening. Eurylochus felt the churning in his stomach, the hunger-induced pain spreading, and he pressed against his abdomen, tightening his belt further in an attempt to quell the longing for food. It had been a week since his argument with Ares—no, they hadn't broken up; Eurylochus wouldn't call it that; they had simply disagreed, that was all—and the food on the ship was gone, with only limited fish catch to sustain them. The crew had been starving for days.

He spotted Perimedes on the deck. Since leaving the Underworld, days had passed in this manner: Perimedes stood silently, gazing out at the vast, boundless sea. Eurylochus knew he wasn't looking for the direction of home. During those shared, comforting nights, he had realized that few men still harbored hope of returning.

"Sometimes, I think I see Elpenor," Perimedes said almost in a trance. "He's drunk and looks happy. I told him I wanted to go down to him, and he got angry—didn't he want me to be with him?"

Eurylochus couldn't fathom what it felt like to have a loved one in the Underworld. Sometimes, he felt that Perimedes' longing for Elpenor surpassed his desire to survive. This man missed his beloved so much that he could venture into the realm of death. In that stagnant place, without tomorrow or future, they would at least have each other. Eurylochus recalled the nights he spent without Ares, chatting with his companions about those who had passed.

At one such time, Antises handed him a shabby little notebook, smelling of sea salt and ocean breeze. Eurylochus remembered seeing an identical cover with another comrade. He opened it and saw Polites' name, neatly lined up with others on the first page. Eurylochus recalled these names written there; they had all died at the feet of the Cyclops.

Perimedes reached out and flipped to the last page, where the last line read the name of his beloved, Elpenor.

"This was Crytrius's notebook," Antises said. Before the war began, Eurylochus wasn't familiar with this young man from the farmland on the westernmost edge of Ithaca. As for now—there were only 42 of them left, and it was easy to know each other.

"Crytrius wanted to record the names of every fallen comrade. He always said if we didn't remember them, the spirits of those who had passed would truly be forgotten. He sank into the vast ocean, but I took his notebook," Antises explained. "After enduring the great god of the sea, it was difficult to record the deaths. We struggled to recall the names of every comrade. At least this way, they left a trace of their existence, even though we too might follow in their footsteps and perish here."

Yes, if he died silently in the middle of the sea, he would pray that at least someone remembered him. Gods were immortal, and he hoped at least Ares would remember him, though he knew that tiny, short-lived mortals meant nothing to the gods.

"It's hard to say I don't long to reunite with them in the Underworld," Perimedes chuckled briefly. "Whether wandering the ocean or heading to the realm of death, we have no place to call home, alone and desperate—what's the difference?"

"But the blood on our hands cannot be washed away. Can we go to that peaceful land? Or must we pay for our killings?" Menechas said from the corner of the room. Silence fell upon the room.

Eurylochus pulled himself out of the abyss of memories. Now, six more names had been added to Antises' notebook, one of them being Menechas, Antises' best friend, the young man who worried about his past killings.

The pain of losing his companion made him want to vomit, but his stomach was empty, so he could only retch a few times. His good friend Odysseus was drifting further and further away from him, and he could feel the rift between them. Since hearing the prophet's prophecy, the captain had been in a bad state, silent and increasingly gloomy in his eyes. But Eurylochus never expected him to go to this extent – to sacrifice his crew willingly.

Eurylochus never thought Odysseus had an obligation to save everyone, but he couldn't accept his friend turning into a cold-blooded monster. So he told himself that the captain just couldn't think of a better way, and that Odysseus hadn't expected those six men to sacrifice themselves. He confronted his friend, praying that the other would answer as he deceived himself, but he didn't. Odysseus covered his face with his messy hair and roared two words: "I can't!"

The hunger grew fiercer, and he took a deep breath, remembering what Odysseus had told him – not to eat the cattle of the sun god.

This meant there were cattle ahead… Even if eating their meat meant death, it was still meat that could fill their stomachs. He stepped forward and patted Perimedes on the shoulder: "... I have a not-so-good idea, but I think you'll want to carry it out."

He knew the captain would eventually return home; otherwise, based on his understanding of Odysseus, the latter wouldn't have become gloomy instead of desperate after meeting the prophet. Since that was the case, whatever choices they made wouldn't drag the captain down.

"There are cattle ahead. Their meat can fill our stomachs, but we'll also incur the wrath of the gods and meet our end. What would you choose, my friend?"

Perimedes laughed: "You know perfectly well, Eurylochus, that most of us feel no difference between living now and being dead."

The two men fell silent, as if calmly accepting the fate that was approaching. After a moment, Eurylochus left the deck and entered an empty room. With the death of his friends, more and more dormitories were becoming vacant. He took a deep breath and sat down on the deck.

"Hey Ares, I don't know if you can hear me. I know our last encounter wasn't pleasant." He paused, feeling a bit awkward talking to himself like this, but continued, "Look, my companions and I have made up our minds to die because the suffering of hunger is too long. So, I want to say goodbye to you."

There was no response. Eurylochus didn't know if his words were heard by the god of war. He knew the other god always loved bloodshed and could understand his indifference to the lives of other mortals. But a few days ago, when his comrades had just died at the throat of Scylla, his boyfriend's nonchalant tone was still hard for him to accept. Ares just laughed and mocked Odysseus' cowardice in not facing the enemy head-on, which was also what Eurylochus didn't want to hear.

They had an argument then. But now that Eurylochus had made up his mind to give up his life, continuing the cold war made no sense.

"Uh, that's about it." He fell silent again. In fact, it was meaningless, wasn't it? The gods lived such long lives; how could he care about the death of a mortal?

Eurylochus sighed, stood up, and walked out of the empty room. Ares didn't respond. The man thought bitterly that maybe he had been too optimistic; in fact, Ares had broken up with him completely.

The next day, he and his comrades all agreed on the plan to eat the beef and die, and they carried it out as such. Odysseus looked pain, and he ordered them to row faster, but all thirty-six crew members knew they had no hope of survival; they had accepted it the night before. At least they would die full, and that was enough.

But strangely, nothing happened; no god became angry. The fleet was puzzled until a tall figure landed on the ship and ran quickly towards Eurylochus.

"Eury!" His tone was almost panicked, "You don't know how… It's good that this has been resolved. You won't die, at least not so soon, my love."

Everyone on the fleet was stunned. Who would tell them what was going on???

"It's a good thing you're not the first to eat the cattle. I mean, you're the first mortal, but other gods have done similar things. Hermes paid with his lyre, and what I have is not inferior to what he had." Eurylochus found the other's tone cute, like a child comparing toys. But it didn't lessen his confusion.

"I thought we broke up?" He asked cautiously.

Ares was stunned. Then the god of war erupted, roaring, "What? No!" The ship was rocking slightly because of his roar. Eurylochus was worried that the ship would be overturned, so he quickly soothed him: "No, I mean, of course I don't want to break up, but yesterday when I talked to you, you ignored me."

"That's because I was preparing an apology gift!" Ares was still roaring, but the ship had stopped rocking. After he finished speaking, he hesitated for a moment, looking somewhat embarrassed: "Uh, I'll leave for a while… I'll come to you tonight, Eury."

The tall figure left, leaving the stunned crew and the stunned Odysseus, who was also shocked but more relieved.

"... It's good that you're still alive," Odysseus said. "I have something to ask you, Eurylochus, but we'll talk about it later."

He left. Eurylochus knew his friend would leave the crowd whenever he was emotionally upset; he didn't want too many people to see how much he cared about his friends. He smiled, happy to see his familiar captain back. The rift was still inevitable, but… things were getting better.

Now he had to face the crew's questions.

[bethanydelleman]

"the General's unjust interference, so far from being really injurious to their felicity, was perhaps rather con- ducive to it, by improving their knowledge of each other, and adding strength to their attachment"

I was thinking about this quote. Did Jane Austen mean by "adding strength to their attachment" that Catherine and Henry's attachment was not a strong one before the Colonel's interference ?

Colonel seemed more involved in Henry's "courtship" of Cathy than Henry himself. And her feelings for him seemed more like infatuation or teenager crush than a real steady love. Add to that that line about Henry being interested in Catherine because she liked him. And the proposal seemed to me more due to him feeling guilty for leading her on and making fall in love with him and taking responsibility for his father's obvious hints about a wedding. You know the " honor bound " thing. I mean he did mean it and he liked Catherine well enough.

Do you think that Austen meant that their relationship became strong after the Colonel delayed their marriage ?

To understand the last paragraph of Northanger Abbey, you have to remember that this is a satire and Jane Austen is being a bit more blunt than usual in this last bit. I will highlight the jokes:

Henry and Catherine were married, the bells rang, and everybody smiled; and, as this took place within a twelvemonth from the first day of their meeting, it will not appear, after all the dreadful delays occasioned by the General’s cruelty, that they were essentially hurt by it. To begin perfect happiness at the respective ages of twenty-six and eighteen is to do pretty well; and professing myself moreover convinced that the General’s unjust interference, so far from being really injurious to their felicity, was perhaps rather conducive to it, by improving their knowledge of each other, and adding strength to their attachment, I leave it to be settled, by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience.

Green: Austen jokes about this delay earlier, "The anxiety, which in this state of their attachment must be the portion of Henry and Catherine, and of all who loved either, as to its final event, can hardly extend, I fear, to the bosom of my readers, who will see in the tell-tale compression of the pages before them, that we are all hastening together to perfect felicity." So the joke is that we, as readers, know it will end happily and we know it will end happily soon, because there aren't that many pages left.

Blue: It is extremely common in fiction for the protagonists to be brought closer together by interference instead of being torn apart by it, so General Tilney, in opposing marriage, strengthens the probability of it happening. He plays his stock character part very well in this story. It's a meta joke because it is so inevitable in this sort of narrative that it makes his actions silly.

Purple: Novels in this era were supposed to have a moral, but Austen jokes that her moral may be interpreted as "disobey your parents" or "be a tyrant to your children" to come to the happy conclusion. Obviously, that's not the real moral of her story, but what a cursory reading may lead someone to think.

To understand Henry and Catherine's love story, you need to know that at the time, men were supposed to have feelings first and women second, developing them as gratitude for the man liking them. So the "proper" order is:

Man has feelings

Man expresses feelings

Woman develops feelings in gratitude

Now this is extremely silly, since it's not like a girl won't develop a crush on her own. Austen is mocking this particular order of events. She's not saying that Henry Tilney doesn't love Catherine, he does, she's saying that the love happened in a wrong and scandalous order.

She was assured of his affection; and that heart in return was solicited, which, perhaps, they pretty equally knew was already entirely his own; for, though Henry was now sincerely attached to her, though he felt and delighted in all the excellencies of her character and truly loved her society, I must confess that his affection originated in nothing better than gratitude, or, in other words, that a persuasion of her partiality for him had been the only cause of giving her a serious thought. It is a new circumstance in romance, I acknowledge, and dreadfully derogatory of an heroine’s dignity; but if it be as new in common life, the credit of a wild imagination will at least be all my own.

That is why it's harmful to Catherine's dignity, because she DARED to have a crush. And obviously, Austen knows this happens all the time, which is why she jokes about it.

I hope that answered everything.

[sjsmith56]

Bucky Barnes, Deadpool and the TVA (or How I ended up inside the fourth wall)

Summary: A Bucky Barnes fanfiction writer finds herself in the same universe as the Thunderbolts* Bucky when she wakes up in his bed.

Length: 4.1 K

Characters: Unnamed and undescribed OFC, Bucky Barnes, Dr. Strange, Wong, B-15, variant of OFC, OMC (OFC’s husband)

Warnings: some sexual innuendo, naked horny Bucky, no smut (sorry)

Author notes: Just a silly story that I pulled from somewhere in my mind. The part about the OFC and her husband seeing the new Deadpool movie at a matinee was based on real life.

💻 🦾 🛵

The blank page stared at me.  It wasn't blank five minutes ago, but I read what I wrote, and didn't like it, so I deleted it and then I was looking at the page again.  We met before, you, the reader and me, the writer.  I sought help from the very reason I write, Bucky Barnes.  The writing gods first sent me World War II Bucky, a sweet flirty guy who was still interested in the stories I wrote.  The version that appeared to me was from before Azzano and before the train; that dreadful transport of death that changed his whole life in a moment.  Then they sent me the Winter Soldier, the dark brooding villain ... I know, he was more than that, but that was HYDRAs use of him.  He was their Fist, brutally carrying out assassinations on targets they assigned him.  Relentless and frightening in his attention to his task he was still a sight to see; that tall, dark-haired muscular menace and the way he strutted towards his target.  No hesitation, no regrets and totally the object of many fantasies.  I still got warm thinking about the ones I read about, never mind wrote.  On that day, it was Falcon and the Winter Soldier (FATWS) Bucky who came to my rescue.  It was him as he was portrayed at the end of the series, seemingly in a place where he felt at home in Delacroix, becoming part of Sam Wilson's family as their adopted uncle.  That Bucky sat with me, helped me through my writer's block, and even gave me an idea for a Black Widow smut piece that was a gift to my husband.  Before he left, he said he would always be there for me.  At the time, he probably meant it.  Then there was a disturbance in the Force.

Wrong franchise, I know, but how else to explain how things seemed to go a bit sideways?  There were the What If? episodes, that displayed Bucky as the sidekick to Captain Carter.  Those was okay, then he was more of the dark brooding long-hair version of Wakanda Bucky in a zombie wasteland.  At least we got to see a cartoon version of him in the shower, from the waist up.  Wasn't quite enough to quench the fandom's thirst for him but it was a start.  Don't even get me started on the Guardians of the Galaxy Christmas special where Nebula appeared with Bucky's vibranium arm, opening a whole can of worms over whether it was funny (not to me), cute (seriously stealing Bucky's arm is cute?) and canon (no, James Gunn, it wasn't canon to me).  Yes, I'm changing the tense in the middle of a paragraph by telling you to don't @ me if you're a believer in any of the three above.  To me, all three of those scenarios were just wrong.  I got emotional then and I still do.

I wrote since then, some AUs, lots of one shots as I explored that format, several short fiction pieces of less than 50,000 words, and a couple of long ones.  It was going well, then they brought out the Captain America 4 announcement that Bucky wouldn't be in it (what?) and the Thunderbolts* announcement that Sam Wilson wouldn't be in that (seriously?).  Why did they get us to invest our time and interest in a six-part series about these two men forging a deep friendship if they had no intention of continuing it in their movies?  The rumours about Bucky in this upcoming movie littered the pages of tumblr and Twitter (sorry / not sorry X); things like Bucky regressed mentally and emotionally, he and Sam had a falling out, he became a congressman, or he went to work for Val de Fontaine so that he didn't lose his pardon. 

Why would they do that to Bucky?  Let the man have a fucking life.  As you could see I got emotional about it.  On that particular day I decided to have a nap and clear my mind, then it all changed.

💤

"Hey, sweetheart."  I could hear the voice, then I felt a cold hand around my waist, reaching up under my T-shirt.  Jerking away and turning around I found myself in bed with Bucky Barnes, beefy Bucky, with the bad haircut shown in the leaked preview of the Thunderbolts*.   "There she is."

He had no shirt on, and I found it hard to look at him, then opened my mouth to speak but nothing came out.  I noticed the smirk on his face, which made me feel warm, like really warm, the way the writers of Bucky smut describe it; a warm pool forming in my core, between my thighs, deep in my ....  What happened to me?  Where was I?

"You okay, doll?  You have a nightmare?"  His hand cupped my jaw, as he rubbed his thumb on my cheek.

"You're Bucky," I said, still frozen in place, because let's face it, it's not everyday you find yourself in bed with your romantic fantasy.

"Last I checked," he answered, licking his lips then running his hand over the beard he grew since he was in FATWS.  "You're my wife."

I pulled away from him, aware that he might not have anything on at all.  He looked at me funny.

"You seem different.  Tell me you're not a multiverse version of you that's been dropped here."

"I don't know," I answered, pulling the sheet up to cover my front since I realized I wasn't wearing a bra, and my nipples were doing something that was a little disconcerting.  "Am I a writer?  Are we married?  Are you working for Val de Fontaine?"

He laughed, showing those beautiful white teeth, then he leaned close, gently pulling down the sheet and began to nuzzle my neck, making me feel all sorts of things.

"No, yes, and no," he answered.  "Come here."

I pulled away so far that I fell out of bed and sat there on the floor with him looking over the edge at me with a decidedly perturbed expression on his face.  With only panties on underneath that T-shirt I pulled on the sheet, so I was covered again.

"What's got into you?"

"What's my name, Bucky?"

"Sweetheart, sunshine, baby girl, darlin' and my personal favourite, doll."  He was resting his head on his hands, looking at me in a way that was definitely more friendly than I was comfortable with.

"Those aren't names, they're terms of endearment," I answered.  "I am married but not to you and you're supposed to be an Avenger, with Sam Wilson."

"Really, just who are you married to and what is your name?" he asked, in a flirting manner.  "Gotta say, sunshine, this role-playing thing could be fun."

I told him my husband's name and my name.  "I shouldn't be part of the multiverse because it's not real.  It's fiction."

He laughed, then saw I wasn't laughing and frowned.  Angry Bucky alert.  "You have to be from the multiverse.  If you're not, where's my wife?  Why do you look and sound like her?"

I raised my hands up.  "I don't know where she is.  I look like her because I write fanfiction of you, and I picture myself in the original female character's role.  She usually becomes your love interest.  But I had writer's block because Marvel has been messing around with your portrayal and not giving out much information of how they've changed your character.  It was bugging me, so I took a nap, then woke up next to you."

"Who's this Marvel guy?  Do you think he knows where my wife is?"

He didn't know about the fourth wall, was definitely angry and all I could think of was that he looked just as angry now as he did in that leaked Thunderbolts* footage.

"Marvel's not a guy, it's a corporation that owns the copyright to your character."  I winced as I explained it to him, knowing he wasn't liking it.  "You're not real, Bucky.  You're a fictional character from the comics and the movies they made from it.  But you know this already.  I've spoken to you in your World War II persona, your Winter Soldier persona and from when you and Sam fought the Flag Smashers.  That's called your FATWS era."

I started to explain what the letters meant but he just glared at me, so I stopped.  He pulled away from the edge of the bed and got out on the other side, naked, and I did stare, I'll admit it.  God, he had a nice ass and the rest of him from the back was... wow.  Then he turned to face me, and I looked everywhere but there. 

"Get dressed," he ordered.  "You're taking me to this Marvel place and I'm going to get my wife back."

"It's not as easy as that," I replied.  He stared at me, his arms crossed defiantly in front of him while he was still showing everything the serum gave him.  I focused on his face, but it was so hard ... not that, you know what I mean.  "If this is a multiverse incursion then there might not be a Marvel in this universe and even if there was it wouldn't be possible to just walk in there.  We have to find Dr. Strange.  He's the only one who can do anything."

"Fine," he said, "but you're still coming with me.  Now get dressed."

Holding the sheet around me I approached the walk-in closet, but he was still standing there, naked, in all of his glory and he smelled so good when I slid past him to see what was available for me to wear.  Then he was right behind me, practically pressing himself into me and I had to focus, wondering if I had ever written this much raw physical sexuality into my versions of Bucky but it was difficult to concentrate with him so close. 

"You having problems, baby girl?" he asked, his lips so close to my ear that I could feel his warm breath making me moist. 

"I don't know what to wear," I mumbled, still painfully aware of his naked body this close to me and I was really only separated from him by a sheet. 

"We're going on the motorcycle," he said.  "Jeans, T-shirts, and leather jackets."

"Right," I answered, hastily going through the sexy dresses, the long gowns with the thigh-high slits, the almost obscene lingerie, but there were no jeans or T-shirts.  "Um, where are they?"

"In the drawers," he grunted.  "Don't you have drawers in your universe?"

"Yes," I snapped.  "Could you stand further away from me?"

"What's the matter, darlin'? Do I make you uncomfortable?"

"This close to me while naked, yes."  I rolled my eyes, which he must have heard because he huffed, but he did move away, and I was able to get out of that small space.

Quickly, I located the drawer that had jeans and pulled them on.  They were tighter than anything I ever wore but somehow, I got them on.  The bra selection left a lot to be desired as most of it was see through and really didn't offer much support.  I must have made a noise while I was searching for something more modest because he was suddenly beside me.

"Having a problem, sweetheart?  Don't see anything you like?  My wife loves all the lingerie I buy for her."

"It's not my style," I answered.  "Doesn't she have something that covers more?"

"Sports bra," he answered.  "Bottom drawer."

I pulled it open, thankful to find an assortment of sports bras.  Pulling one out I started to take the T-shirt off that I woke up in then became aware of his eyes on me.  Turning around I was startled to see him reclining on the bed, propped up on one elbow, fully clothed, with his booted feet hanging off the bed.

"Do you mind?"

"No, I don't mind at all," he smirked.  "Don't let me stop you.  I've seen it all anyways."

"But you're married.  Wouldn't watching me get dressed make your wife angry?"

He grinned in an almost wolfish manner.  "We have an understanding."

"What?  The Bucky's I write are monogamous.  Are you polyamorous?"

The grin became a broad smile as he looked me up and down.  "If the occasion arises.  Gotta say I'm curious to see if you have the same appetites as my doll."

"Out!"  I wasn't in the mood for this.  "Right now.  Go downstairs and get your motorcycle ready."

Slowly, he slid off the bed, then approached me, backing me up to the dresser, while looking at me in a way that gave me thrills at the same time as setting off all sorts of warning bells in my head.

"You sure, sunshine?"  His fingertips grasped a tendril of my hair, as he twirled it slightly.  "I could definitely make you ...."

"Out," I repeated.  "Please stop this."

He backed up, suddenly respectful of my space.  "Since you said the magic word, I'll wait downstairs for you."

Just like that, he was gone, and I quickly got the sports bra on, then a clean T-shirt.  I pulled on some socks and found some boots, sliding them on.  With a quick run through of my hair with my fingers I looked at myself in the bathroom mirror, wondering what I had done to get into this predicament.

He was waiting on his motorcycle for me, with a helmet in hand.  As I stood there, he placed it on my head, adjusting the chin strap then nodding his head in approval, before putting his on.  I slid on behind him, grasping him at the waist.  His voice came over a Bluetooth speaker in the helmet.

"You okay, darlin'?  Have you ridden a motorcycle before?"

"I'm good.  My husband has one and I've ridden with him.  Where are we going?"

"The Sanctum Sanctorum," he said.  "Might as well go straight to Dr. Strange."

Suddenly, we were there, pulling up to an open parking spot in front of the headquarters of the Masters of the Mythical Arts in the middle of Greenwich Village.  This was definitely a unique universe, as we skipped over the long motorcycle ride from Brooklyn, then the frustration of finding any sort of parking.  Striding over to the door, Bucky rang the bell, and we were ushered in by an acolyte to where Dr. Strange was drinking a cup of tea and Wong was standing there wringing his hands.  Before we could even say anything the two men looked at me, then at each other, then at Bucky.

"Where did you find her?" asked Wong.

That wolfish grin briefly appeared again on Bucky's face.  "In my bed.  Says she's not my wife, so where is she?"

"That is a good question," said Strange, placing his teacup on the table and approaching me, assessing me in a way that was a little disturbing.  "Well, this explains a lot.  You're from the real world, aren't you?  Beyond the fourth wall."

"Yes, I guess.  I'm a fanfiction writer and was taking a nap.  When I woke up it was next to him."  I pointed at Bucky.  "The thing is, he's nothing like the Bucky Barnes character that I write about."

"What's different about him?" Strange's one eyebrow was higher than the other.  It was one thing seeing it in the movies but another thing seeing it in person.  "Is there a problem with my face?"

"No, no.  The biggest difference is that the Bucky's I write are monogamous and this one is polyamorous."

"And?  That's a problem?"

I became aware that I was in the middle of all three men, and they were looking at me as if I were lunch, served on a platter just for them.

"Stop!" I barked.  "Yeah, it's a problem, okay?  Is this a polyamorous universe?  Because I'm not!  I'm married to one man, and I want to go back to him.  Please, you must find a way to get me back to where I belong."

Wong backed away from me first.  "She's right.  Consent is still required in this universe.  Plus, with her being from beyond the fourth wall we could really hurt her.  She's actual flesh and blood ... we're fictional characters."

Dr. Strange backed away, returning to his cup of tea.  Bucky, well, he just sprawled on a couch as if he had always lived there.

"Tell me about what you were doing before you slept," said Strange.

I told him about the physical changes to Bucky's appearance based on the leaked preview of Thunderbolts* and how the fandom was worrying about his portrayal, and the fact that after a six part series of him and Sam becoming friends Marvel just casually split them apart into two different movies as if the other didn't even exist. 

"You care about him," said Strange, his voice neutral.  "You want him to be happy."

"Well, yeah," I replied.  "The man lost everything that mattered to him and was tortured for 70 years, experimented on, and forced to become a killer for a gang of authoritarian thugs.  My thing, my contribution to fanfiction is that Bucky gets a happy ending."

"Sweetheart, I have that," said the super soldier, from where he sat on the couch.  "I admit that I am fucked up, but my wife makes me happy and her interest in our extramarital activities is the same as mine.  Yet, you treat me like I'm some sort of deviant."

"No, it's not that."  I sighed.  "Other writers see you in this way and that's fine; that's their thing and lots of people read them and enjoy them but I guess I just like you better when you're monogamous, kind and gentle.  To someone like me, this version of you is a bit scary and overwhelming."

"That's fair," he murmured.  "You look like my wife.  Does your husband look like me?"

"No, not at all," I smiled.  "He's shorter, balding, not as fit.  But he loves me and he's faithful, kind, and gentle.  He beta reads my stories, and I even wrote a Black Widow smut piece just for him.  I think he imagines me as his Black Widow sometimes."

Bucky grinned, then nodded his head approvingly. 

"Do they break the fourth wall in this Thunderbolts* movie?" asked Wong.

"I don't know.  It hasn't come out yet and there's been very few previews of it.  I think the only Marvel character that breaks the fourth wall is Deadpool.  His movie with Wolverine just came out recently and is making a ton of money."

Both Dr. Strange and Wong perked up.  "Deadpool?  As in Wade Wilson?"

I nodded.  "Yeah, he's fully aware in the movies and comic books that he's fictional.  He often breaks the fourth wall."

My voice tapered off.  Was I here because of Deadpool?

"Sunshine, have you seen the movie?" Bucky was also sitting upright.

I nodded my head.  "My husband and I went to see the matinee just a few days ago."

A green glow emanated from the time stone as Dr. Strange went to wherever he went when he activated it.  Wong watched him carefully as did Bucky.  Then the Supreme Sorcerer stopped his permutations and gazed at me.

"The Time Variance Authority are in this movie," he stated.  "I have a feeling they're involved in this.  But why they would take someone from the real world and place them here is a mystery to me."

Suddenly a TVA portal opened in front of us, and B-15 walked out followed by me, at least a version of me, wearing only a T-shirt and panties.  Bucky jumped up from the couch.

"Doll? Is it you?"

"Oh Daddy, I was so afraid," she cried, as he wrapped his arms around her.  "I woke up in a cell and didn't know how I got there, and ...."  She noticed me.  "She's me."

"I'm sorry," said B-15, looking at me.  "A terrible mistake was made.  Beyond the fourth wall is usually forbidden to our hunters but when you went to see the Deadpool movie your presence was noticed in the theatre with your Bucky variant."

"Wait, my husband is a Bucky variant?"

The leader of the TVA smiled.  "Well, yes.  It's why you write Bucky Barnes fanfiction.  You see him as Bucky and yourself as the original female character.  You don't have to look alike to be a variant.  It's just that you're kind of the model for the OFC in your own universe where you draw your inspiration from.  It's supposed to be a private universe and off limits to the TVA.  Unfortunately, one of our hunters didn't understand that.  He removed Mrs. Barnes here as an illegal variant and installed you as the original in this universe.  He has been sent for judgement and won't be in a position to do that again.  We are also making sure all of our hunters are aware that the Bucky Barnes fanfiction that you write and read in your own private universe is just that, private, at least to us."

"So how do we get this Mrs. Barnes back to her universe beyond the fourth wall?" asked Dr. Strange.  "I have the feeling it's beyond my capabilities."

B-15 smiled at him.  "It is but not beyond mine.  As soon as she's ready to go I'll open a portal back to her universe."

It sounded simple and like many movies, a little bit of a quick fix, but I wanted to go back so I wasn't going to question it.  Wong smiled at me.

"Good luck on the next one shot," he said.

I nodded at him, then Dr. Strange looked at me in that superior way he sometimes had.  "I knew there would be a logical solution."

"Right."

Bucky was next, his wife already wearing his leather jacket.

"Oh, this is yours," I said, starting to take the one I had off. 

"Keep it sweetheart, as a souvenir," he smirked.  "Say hi to your husband for me.  Tell me something.  The lady there said something about the fiction you read.  Does that mean you do read the polyamorous stuff, since you ended up in my bed?"

I sighed as I hated being put in a position of agreeing.  "Every so often one captures my eye," I admitted.  "Doesn't mean it's something I'm interested in trying."

"If you say so."  He glanced at his wife with affection.  "You came through for me.  I appreciate it."

I looked at B-15.  "I'm ready."

She nodded at the others, then punched a few buttons on her TemPad.  A portal opened and I walked through it, then felt the touch of my husband's hand on my shoulder as I was still on top of the bed.

"Honey?  Wake up."

I sat up, saw my husband, and felt a rush of affection for him.

"Sorry, I took a nap, and I guess I was more tired than what I thought."

"No worries," he smiled.  "Um, did you go shopping today?  Is that a new jacket and jeans and boots?"

I was still in the other Mrs. Barnes' clothing.

"Yes?" I answered, tentatively.

He smiled and nodded his head appreciatively.  "I like them.  Makes you look hot.  You should wear stuff like that more often."  Offering me his hand, he helped me up.  "What do you think of taking a ride on the bike and going to a diner for dinner?  My treat."

"Sounds like a plan," I answered.  "Just let me freshen up a little."

When I got outside my husband was already waiting on his Vespa.  I know what you're thinking ... a Vespa is not a motorcycle.  Maybe not in the traditional sense but it is what we have and it's a lot of fun.  I still get to wrap my arms around my husband's waist and maybe he doesn't have a hard body like Bucky Barnes, but he's all mine and I don't have to share him with anyone.  Besides, now that I know he's a Bucky variant I understand how he knows what I like between the sheets, if you get what I mean.  When I do write smut, I'm writing about my Bucky, the one I live with in this universe, beyond the fourth wall.

One Shots Masterlist

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[homestuckreplay]

Week 1 Retrospective: Who Is John Egbert?

It’s official - Homestuck is one week old today! And while a week is not a long run for a comic, it’s already got more pages than the author’s earlier work Bard Quest, so maybe it’s something worth recognizing. So I wanted to mark a week of Homestuck by doing a deep dive on what we’ve learned about our protagonist John Egbert so far. It’s some fact collection, some wild speculation, and some ongoing questions. It’s over 3000 words, so it’s under a readmore for anyone who’s interested.

If that doesn’t sound like a fun time to you (or even if it does), you can take the John Egbert Big 5 Personality Test to see how you score on John’s five key personality traits. It’s 14 multiple choice questions, so a much quicker read.

We’re introduced to John on page 4, where we’re given five key interests of his: bad movies, programming computers, paranormal lore, amateur magic, and gaming. I’ll take these one by one and use them as a framework for John’s character so far.

“You have a passion for REALLY TERRIBLE MOVIES.”

John has eleven (11) movie posters on his walls. Of these, three star Matthew McConaughey and two star Nicolas Cage. More notably, six have a Rotten Tomatoes rating below 50%, and two of these are below 10%. I haven’t seen any of these movies, but as far as I can tell, here are the one sentence summaries [broad spoilers for all these movies].

Little Monsters: A boy befriends a monster and visits the monster world, where they try to convert him into a monster too.

Con Air: A paroled man disrupts a gang of prisoner’s escape from a prison transport plane.

Deep Impact: Earth tries to prepare for extinction after a comet is found on a collision course with Earth.

Ghostbusters II: After going out of business, the Ghostbusters reunite to combat a negative energy slime monster.

Mac and Me: A boy befriends a young alien who gets separated from his family and lost on Earth.

Contact: An Earth scientist successfully discovers alien life and travels to an alien world.

A Time to Kill: A father is acquitted in court for killing the perpetrators of racial hate crimes against his daughter.

Failure to Launch: A 35 year old man’s parents hire a woman to persuade him to finally move out of their home.

Face/Off: A terrorist and a FBI agent go through facial transplant surgery and temporarily swap identities.

Armageddon: A group of space workmen go on a mission to stop an asteroid from destroying Earth. 

Ghost Dad: A man temporarily dies but is able to interact with his children in ghost form.

From this we can see that John really likes science fiction movies related to aliens, ghosts and monsters, as well as action comedy. We also know from page 21: ‘Films about impending apocalypse fascinate you’. A Time to Kill and Failure to Launch are the only ones that don’t fit his taste. The implication here is that John really loved Matthew McConaughey in Contact and so watched his other movies even though they were things he wouldn’t usually watch.

I’m curious if these movies are intended as clues to John’s character, the future of the comic, or both. In terms of his character, they make me see him as someone who’s imaginative and goofy, young and carefree, not concerned with other people’s opinions, more interested in watching movies for their surface meanings and exciting stories, maybe wants to escape to a different world, might be a little bit gay. 

In terms of the future of the comic, it could be that we’re going to see literal aliens or monsters - they could even be already here, keeping John ‘homestuck’. Slime monsters are particularly highlighted, with Slimer from Ghostbusters appearing on John’s shirt and computer background, and his chumhandle, ectoBiologist, relating to slime. Slime invasion honestly feels too obvious, and anyway, several of John’s movies are about befriending a more benign supernatural force - could John’s Pesterchum friends be something other than human? Or maybe it’s a more metaphorical meaning, referring to John having a very different life to his friends? 

Two of these movies feature Earth extinctions by giant space rocks, but there’s absolutely no indication of this being a real world threat John is dealing with. Again, it could refer more generally to a sudden, life changing event that’s about to happen to disrupt John’s current state, something that would fit thematically with this being John’s 13th birthday, a milestone age.

There’s also a theme of crime and the legal system in several movies, including Con Air, the one that’s been most highlighted. The most obvious interpretation of John’s dad right now is that he’s a clown or performer, but there’s an outside chance he could be in law enforcement, or a criminal. It’s even possible that he’s currently in hiding or some kind of safe house. This would explain John being ‘homestuck’ and sick of spending time with his dad.

Speaking of John’s dad, I’m concerned for him based on the Ghost Dad summary - the comic keeps teasing his presence, but we haven’t actually seen him yet. Could he be a ghost? Or become one at some point? Alternatively, we know John has an already dead relative - could his nanna be a ghost? Did John dropping her ashes release her ghost? Family is a really common theme in movies, so I don’t know if a large number of these movies being about family (especially fathers) is relevant, but I’m noting it all the same.

“You like to program computers but you are NOT VERY GOOD AT IT.”

John claims he ‘likes to program’, but it actually seems to make him angry. We first learn ‘[y]ou were never all that great with data structures and you find the concept [of the stack modus] puzzling and mildly irritating.’ We then see three files on John’s desktop, two in ^CAKE - ‘pff.^CAKE’ and ‘FUCK FUCK FUCK.^CAKE’ and one in ~ATH - ‘AAAAAAAAAAAAAUUUUUUUUUUUUUUUGH.~ATH’. These tell a clear narrative of John trying to work on his programming and getting increasingly more frustrated with his attempts, until inevitably giving up. Both of the programming languages are puns, too. ^ is often called a carat (carrot cake) while ~ is a tilde (til death). 

I know this is wild speculation, but… John started off coding in a harmless programming language, was already struggling, then for some reason switched over to the most ominous possible sounding language, screwed it up even worse, and now… he’s constantly haunted by the ghost of failed programming attempts in the form of his sylladex, which he appears to be new to using (he had no prior understanding of it on page 7 - although this could be handwaved due to video game tutorial logic), and which operates similarly to a computer program and seems to cause John endless frustration. He’ll have to figure out how to exploit the inventory system in ways that help him, which involves actually figuring out some stuff about coding, in order to partake in some real life ghostbusting, or monster hunting, or dealing with whatever threat he’ll have to deal with by using inventory hacks.

“You have a fondness for PARANORMAL LORE,” (...)

By far the interest of John’s that we’ve seen the least of so far, John’s love of the paranormal is mostly inferred through his movie preferences, and we don’t see any direct evidence of an interest in lore. However, I can’t stop fixating on John’s chumhandle: ectoBiologist. The comic’s first act was to draw attention to giving John a name, and for many 2009 kids, the names they go by online are more meaningful and representative of them than their real world names. 

‘ecto-’ means ‘outer, outside, external’ according to dictionary.com, and it’s actually a common prefix in a variety of fields of biology, but there’s no such thing as ‘ectobiology’ as a field, or an ‘ectobiologist’ - neither term has any search results prior to Homestuck. I think it’s way more likely that this refers to ectoplasm, a term from both cell biology and spiritualism that was popularized by Ghostbusters to mean any substance secreted by a ghost, in practice often manifesting as green slime. Slimer, who we can guess is John’s favorite, is a benign ghost made of pure ectoplasm. I love the idea that John loves this dumb ghost so much that he’s memorized all the lore about them in their appearances throughout the franchise, and devised this username based on being an expert on these ghosts right down to their biology (or at least thinking he is). 

The only catch is, ‘fondness for paranormal lore’ is very passive and doesn’t even imply much knowledge, much less action, while ‘biologist’ implies that John has been doing actual experiments. The idea of John trying to create a real life Slimer the same way other kids make slime in their kitchens is really entertaining, if an off the wall theory. Does ‘homestuck’ just mean John is grounded for an unethical science project? 

(...) “and are an aspiring AMATEUR MAGICIAN.”

The magic chest is one of the biggest, most eye catching and most colorful objects in John’s room. We see its contents on page 8, which lean more into joke store items than things a magician might use, except for the trick handcuffs and perhaps the collapsible sword. The narration on this page states that John is neither a skilled magician nor a cunning prankster. I’m nitpicking definitions here, but everything John has done so far has been way more about pranks than about magic. 

John’s uses of the magic chest to date are…

various putting things into his inventory and removing them (funny, but unintentionally)

combining fake arms with cake (p.36) out of necessity, which ‘makes the cake at least 300% more hilarious’

merging hat with beagle puss to create a clever disguise (p.45) and wearing it for 25+ pages, which he acknowledges is a ‘shitty disguise’

attaching fake arms to harlequin doll (p.65), which makes it ‘AT LEAST a million percent funnier’

All of which are definitely not magic tricks, and honestly not even pranks. Arguably John’s best and most successful prank so far has been when he pretended not to have arms for the first six pages, before revealing his arms after the interface had gone to the trouble of moving the cake off his magic chest to get him some arms.

John keeps thinking about reading Colonel Sassacre’s Guide to Magical Frivolity and Practical Japery, but always finding some excuse not to. He can’t read it until he captchalogues it, but once he does that, it gets buried in his inventory. He assumes that the book can tell him the exact percentage increase of hilarity a prank leads to, but it’s too big for him to actually look anything up. 

An outside theory for this that I don’t think is likely simply because it’s so much darker than the comic has been so far, is that John loves this book, but since the incident where his nanna was killed by a copy (perhaps even this copy?) he hasn’t been able to bring himself to read it. A far more likely theory is that while John is an aspiring amateur magician, it’s more of a big idea, and he hasn’t actually done any magic yet. This also tracks with his weaksauce pranks above. And if that’s true, then it says a lot about John that he defines himself by a hobby he aspires to but doesn’t actually practice - he’s someone with big dreams and less motivation, just like his big dream of going to collect the mail from his father despite the lack of motivation that’s kept him messing around for 70 pages. 

“You also like to play GAMES sometimes.”

Potentially most important of all is Gamer John. We get a list of games John likes to play from inspecting his CD tower the same way we get a list of movies from looking at his posters. 

Bard Quest

The Caper Havers

Problem Sleuth

And It Don’t Stop

What Pumpkin?

Ghostbusters II MMORPG

Little Monsters (for Nintendo)

Harry Anderson: Call My Bluff!

The first five games all reference previous work by the author of Homestuck, and as such probably don’t need in depth analysis. However, the fact that within the world of Homestuck, these are all games (instead of comics) is one of several suggestions that we should think of Homestuck as a game, something that needs further analysis. 

The next two games are video game adaptations of movies we know John likes, and the last is a branded video game from Harry Anderson, whose book we’ve already seen in John’s magic chest. Notably, none of these are real video games in our world either. It says a lot that John plays game versions of things he already likes (he’s put ‘countless manhours’ into this assortment of quality titles). 

However, it’s undeniable that the most important game in John’s life right now is Sburb. The poster is behind his head in the first panel, placed centrally with one of the only two splashes of color in the panel. The beta release is the only thing marked on his calendar for April besides his birthday, and the Sburb logo is even the picture printed on the calendar - perhaps it’s a calendar themed around new game releases? There’s clear delight on John’s face when he thinks about getting the beta, and his quest to fetch it from the recently delivered mail is the closest thing to a story this comic has so far.

Unfortunately, we know almost nothing about Sburb, so we don’t know what it says about John that he wants to play it. It’s publicized as the Game of the Year, and according to GameBro, the game may be about houses and the player may not get to thrash anything, although these details are provided by someone who hasn’t played the game so I’m not taking them as expert opinion. It might be multiplayer - TT has been pestering TG all day about playing it with her. Maybe John just wants to share a game with his friends.

Speaking of GameBro, John can’t stand the magazine, although he for some reason has a copy on his desk. He describes the publication as ‘a joke’ to TG, and he makes the effort to take it downstairs to the fire and burn it, presumably releasing asbestos fibers into the house and causing serious lung damage to himself and his father. Does he read this because it’s the only games magazine that exists? Or did he like it just fine until now, when it trashed the game he’s excited about, and now he’s furious with it? Either way, it tracks with John’s overall fondness for critically panned media that he would be angry about contrarian critics. 

–

All of this has left me with a few questions about John as our main character. These are the things that I’m keeping an eye on and trying to answer as the story continues.

What is John good at?

We hear so much about what John is bad at. He’s explicitly stated to be bad at programming, pranks, and magic. He’s bad at using his sylladex. He’s clumsy and knocked over his nanna’s ashes. He’s got bad taste in media. He’s funny but only when he doesn’t try to be, and even then he’s sometimes the butt of the joke, where the joke is how not funny John’s joke is. He was tempted to squawk like an imbecile and shit on his desk. He has like six different prankster props and he doesn’t even use all of them. I’m saying all this with love and kindness because he also just seems like such a sweet kid, but so far he doesn’t have any defined strengths or skills. 

Is he going to turn out to be really good at gaming and kick ass at Sburb? Are we going to get a curveball where it turns out John is an amazing baker, and he hates the cakes in his room and the smell of Betty Crocker because he can do so much better than that packet mix? Or is he starting off from this low point so he can develop skills as time goes on?

What is John’s relationship with his dad really like?

John doesn’t want his dad to monopolize his time and feels trapped in his room, despite his dad baking cakes and leaving notes on gifts telling John he’s proud of him. John’s dad gets his son one great present that John’s really appreciative of, and one terrible present that John immediately hates. All of this feels very reasonable and normal for a teen feeling misunderstood by a parent who’s trying their best. 

And then there’s the clowns.

John can excuse magical frivolity and practical japery, but he draws the line at harlequins. He’s an aspiring magician, but his dad’s figurines are ‘fucking garbage’ and his dad ‘sure can be a real cornball’. John seems like somebody who gets angry at ultimately unimportant things, like bad reviews of games, too many cakes, and harlequin figurines, but because of the subject matter it reads like an intense rivalry between two highly specific subcultures that outsiders would group together. John is really making a huge deal of needing to disguise himself and mentally prepare himself to go down and face his dad, and I want to know if there’s any genuine reason behind John’s fear, or if it’s solely the overdramatics I’m starting to think are typical of him.

Is John ‘Homestuck’?

‘Sometimes you feel like you are trapped in this room. Stuck, if you will, in a sense which possibly borders on the titular.’ (p.30)

John clearly feels like he’s stuck at home, but is this the extent of the title’s meaning? His dad has recently returned from getting groceries, so leaving the house is in theory possible. Reasons why John might be homestuck include: he’s not allowed to leave the house (for example, he’s grounded, or his dad is very controlling), he can leave the house but there’s nowhere to go (he lives near major roads, bodies of water, farms, or other obstacles, and there’s no public transport to get anywhere), or he can leave the house but it’s not safe to do so (there’s some sort of external threat, either supernatural like a monster or alien invasion, or mundane like a criminal or bomb threat). Seeing out of John’s window and into his front yard does not provide any clues; it looks like an extremely average front yard with a tree, swing and mailbox, and we know the mail was recently delivered, so there can’t be anything too world-ending happening in the neighborhood. Right now John’s goal (the Sburb Beta disc) is inside the house, so this might not get answered right away - in fact, my running theory is that the game itself might hold the answers, as its logo is a house.

What’s the differentiation between John and the narrator?

My biggest question of all, and one that probably deserves its own essay. I’m fascinated by the lines ‘In a kid's yard, a tree without a tire swing is like a proper gentleman without a monocle.’ (p.27) and ‘In a home, a FIREPLACE needs a fire, because that's what FIREPLACE is for.’ (p.50). These lines carry so much opinion, but because the narrator is constantly addressing John with the second person ‘you’, I don’t think these are John’s opinions. The narrator does have a window into John’s thoughts, so the line between them can be blurred, but there's clearly a distinction somewhere, because there have been pushbacks and disagreements between the two of them. 

One theory is that John’s dad is the narrator - John’s at home a lot for whatever reason, and so the constant and overbearing presence of his dad means that he can’t get him out of his head even when he’s alone, the commands at the top of each page reflecting John’s dad’s level of control over his son’s life. But I think this question is open ended enough that I’m not willing to commit to one theory yet. After all, we ‘examine 3rd and 4th walls of [John’s] room’ which is a directly meta allusion to the comic’s audience that only really makes sense if the narrator isn’t a character in the comic itself. 

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I think John Egbert has been really well characterized so far. He feels like a real kid, one who keeps getting off track and forgetting what he should be doing, but one who it’s enough fun to get to know that I don’t really notice. While the main character in media often doesn’t end up being the most interesting character, I do want to keep an eye on John because I think he has a lot going on to analyze. Above the style and the world and the mechanics, John as a character is the aspect of the comic I’m most interested in right now.